Our Town cover

Our Town

Rating 2.9
Word count
43K words
Chapters
5

Tags

Summary

Project Gutenberg was the first provider of free electronic books, or eBooks. Michael Hart, founder of Project Gutenberg, invented eBooks in 1971 and his memory continues to inspire the creation of eBooks and related technologies today.Our Town by Jerome BixbyAuthor: Bixby, Jerome, 1923-1998,Language: English, Class: PS: Language and Literatures: American and Canadian literature, Release Date: Feb 27, 2019

Editor's review

Our Town is a short work by Jerome Bixby published in the mid-twentieth century and made available as a free electronic text by Project Gutenberg. Bixby is known for science fiction and weird short stories, and this piece continues his practice of planting unease and reversal in everyday settings: brief, tightly structured, with an ending that is unexpected yet logical. As a public-domain e-book, it is useful for observing the narrative rhythm and language of American genre short fiction: restrained opening, mounting pressure in the middle, and a turn at the end, with almost no wasted words. The reading threshold is not high, but readers must accept the genre's premises. For students of twentieth-century American popular literature, it is a sample of magazine-era short-story production; for general readers, it suits a short, complete reading experience. Since the text is in the original English, reading with notes or alongside a translation is recommended to appreciate the tension between colloquial dialogue and cold narration.

Who it's for

A good fit for

  • Readers who enjoy American science fiction and weird short stories and want a short, complete reading experience
  • Literature lovers who want to understand twentieth-century American genre fiction narrative through public-domain electronic texts
  • Self-learners who need English short-story material for close reading or language study
  • Research-oriented readers interested in Project Gutenberg texts and accustomed to e-reading

Not a good fit for

  • Readers who prefer long development and complex character arcs may find it too short
  • Readers uninterested in genre-fiction reversal conventions and seeking realistic depiction
  • Readers who rely entirely on Chinese translations and are unwilling to engage with the English original

Reading tips

  1. Read it through in one sitting without looking up words, preserving the full effect of the ending's reversal
  2. On a second pass, revisit the opening details and mark the foreshadowing and shifts in tone the author planted
  3. If using it for language study, excerpt dialogue passages and compare colloquial expression with narrative language
  4. After reading, consult other Bixby stories and compare the common features of his reversal technique

About the publisher

Project Gutenberg United States · Founded in 1971

Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.

Contents

  1. 1
  2. 2
  3. 3
  4. 4
  5. 5

FAQ

Is this book a novel or a short story?
According to Project Gutenberg's information, this is a short work, brief enough to read in one sitting. For the exact word count, refer to the electronic text; before reading, skim the table of contents or the beginning and end to grasp the overall structure.
Can readers with average English read it?
The text consists mainly of narration and dialogue, and the language is not especially difficult, but it involves colloquial expressions and genre premises. Read through first to grasp the plot, then look up difficult words; if it feels hard, use a Chinese summary as support rather than translating word by word.
Why is it recommended to pay attention to its reversal?
Bixby's short stories often plant unease in everyday settings, and the ending's turn is both surprising and tied back to earlier details. Watch the tone and details planted at the beginning; on a second reading you will find the author has already laid clues, which is precisely the pleasure of genre short fiction.
What is this book suitable for studying?
It can serve as a sample for observing twentieth-century American magazine-era short fiction, for analyzing the narrative rhythm of a restrained opening, mounting middle, and reversing ending, and the linguistic tension between colloquial dialogue and cold narration. It is suitable as introductory material for the study of popular literature and short-story narrative.

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About the author

Jerome Bixby (1923–1998) was an American science fiction writer, though public information about him is limited. Nine of his works are held in this collection, including The Draw, Where There's Hope, The God-Plllnk, Zen, The Holes Around Mars, Little Boy, Laboratory and Our Town. Judging from these titles, he wrote mainly short science fiction, often building his imaginative premises around space exploration, strange devices and everyday settings. His titles tend to carry an ironic or suspenseful edge, and his narratives are concise, frequently closing with an unexpected twist. Among his stories, It's a Good Life became widely known through its television adaptation, but since that piece is not included here, it is not discussed further. On the whole, Bixby belonged to the mid-twentieth-century circle of American short science fiction writers; his output was modest, yet he was noted for ingenious conceptions and clean, brisk storytelling, and he exerted some influence on later short science fiction.

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