One Year Abroad
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in nineteenth-century travel literature and transatlantic cultural exchange
- Scholars and students of women's writing and autobiographical narrative
- Readers who enjoy leisurely travelogues and are willing to engage with a historical context
Not a good fit for
- Readers seeking practical, contemporary travel guides and information about Europe
- Readers of plot-driven, fast-paced genre fiction
Reading tips
- Read in chronological order, noting changes in the narrator's mood and perspective over the year
- Record the author's judgments of local customs as you read and reflect on her cultural standpoint
- Read alongside other travelogues of the same period to compare narrative style and areas of focus
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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FAQ
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About the author
Blanche Willis Howard (1847–1898) was an American novelist. Her fiction drew largely on scenes of social life in Europe and America, and the characters she portrayed move within such social settings; this choice of subject forms the basic character of her work. At present only one of her books, One Year Abroad, is held in the collection, and no other titles are recorded there; publicly available information is also limited, so her life and the full range of her writing cannot be described in greater detail. On the evidence available, her writing focuses less on intricate or sensational plotting than on observing everyday social interaction and the situations of her characters in Europe and America, and readers may gain some sense of her narrative style and concerns from One Year Abroad.