Oh! Susannah!
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Summary
Editor's review
Who it's for
A good fit for
- English literature students who need public-domain English texts for language analysis
- Readers interested in English works of the late nineteenth to early twentieth century
- Learners who want to practice close reading in English using public-domain ebooks
- Enthusiasts of literary history studying the Project Gutenberg ebook project
Not a good fit for
- Casual readers seeking strongly plotted, fast-paced stories
- Readers with weak English reading skills who need Chinese annotations
- Readers expecting detailed author biographies and background interpretation
Reading tips
- Read through once for the overall thread, then revisit dialogue and language details.
- Mark unfamiliar expressions, then look them up afterward and compile a vocabulary list.
- Read alongside other English literary works of the same period to observe stylistic differences.
- Use the electronic edition's search function to trace recurring images or keywords.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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About the author
Mark Ambient (1860–1937) was a British actor and playwright active on the London West End stage, where he wrote a number of stage plays over the course of his career. He worked during the flourishing of British commercial theatre in the late nineteenth and early twentieth centuries, and his plays were written for performance, with an emphasis on plot momentum and dialogue suited to West End audiences of the time. His representative work, Oh! Susannah!, is the main window into his dramatic writing and is still occasionally mentioned by later writers. Public information about the details of his life and the full range of his work is limited; existing records centre on his dual identity as actor and playwright and on his sustained activity in the West End. On the whole, he was a professional theatre man whose practice centred on the stage, and his writing and performing together define his place in British theatre history, offering some reference value for the study of the commercial theatre ecology of the West End in his day.