Modern Illustration
Tags
Summary
Editor's review
Who it's for
A good fit for
- Illustrators and printmakers who want to learn the techniques and aesthetic standards of early modern illustration
- Researchers in visual culture and book design who need primary critical material
- Art history students using it as supplementary reading on late nineteenth-century illustration history
- Art enthusiasts with good English reading ability who want to expand their professional vocabulary
Not a good fit for
- Beginners hoping for a systematic course in illustration technique; this book is criticism rather than a tutorial
- Readers who only want picture books and are unwilling to read English-language argument
- General readers who need a Chinese translation; the original is a public-domain English eBook
Reading tips
- Read through the table of contents and the opening and closing chapters first to grasp the author's central arguments, then return to the passages on technique
- Keep pen and paper handy to note the illustrators and works mentioned, and look up the plates separately for comparison
- Read alongside other illustration histories of the same period to compare Pennell's judgments with later scholarship
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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FAQ
Is this book a tutorial or a critique?
How difficult is the English, and what background is needed?
Are there illustrations, and can I just look at the pictures?
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About the author
Joseph Pennell (1857–1926) was an illustrator and printmaker active from the late nineteenth to the early twentieth century. Eleven of his works are held in this collection, spanning art history, book illustration and printmaking technique. He wrote a life of James McNeill Whistler and, with his wife, co-authored travel accounts such as Our Sentimental Journey through France and Italy and A Canterbury Pilgrimage. He also compiled The Illustration of Books and Modern Illustration, systematic discussions of illustrative art, and produced picture series recording the Panama Canal, American wartime work and the "wonder of work." His writing and drawing centre largely on printmaking, illustration and industrial construction, combining reportage with art criticism. Public information is limited, so biographical details are omitted here.