Magic and Witchcraft cover

Magic and Witchcraft

Rating 3.4
Word count
161K words
Chapters
17

Tags

Summary

Project Gutenberg was the first provider of free electronic books, or eBooks. Michael Hart, founder of Project Gutenberg, invented eBooks in 1971 and his memory continues to inspire the creation of eBooks and related technologies today.Magic and Witchcraft by George MoirAuthor: Moir, George, 1800-1870,Language: English, Class: BF: Philosophy, Psychology, Religion: Psychology, Philosophy, Psychoanalysis, Release Date: Apr 16, 2013

Editor's review

George Moir's treatise examines witchcraft beliefs and witch hunts through a combined historical and psychological lens, belonging to the mid-nineteenth-century tradition of writing that sought to explain "magic" by rational means. Its value lies in restoring witchcraft ideas to their specific social and religious contexts, discussing how beliefs formed, spread, and were exploited by institutional powers, rather than merely cataloguing curiosities. The prose has the quality of an essayistic discussion, with material organized thematically, making it suitable for readers interested in the intersection of witch-hunt history, the history of religious ideas, and early psychology. Readers should note the author's period standpoint: his judgments of "superstition" are themselves products of the nineteenth-century intellectual climate and should not be taken as neutral conclusions. The public-domain electronic edition allows thematic searching and is best read alongside later witch-hunt scholarship to distinguish which explanatory frameworks have since been revised.

Who it's for

A good fit for

  • Readers interested in the history of European witch hunts and the evolution of witchcraft beliefs
  • Scholars studying the intersection of religious intellectual history and early psychology
  • Students needing nineteenth-century primary discourse for textual analysis
  • Enthusiasts wishing to understand the "rational explanation of magic" writing tradition

Not a good fit for

  • Readers seeking compilations of witch-trial case details and archival records
  • Those expecting contemporary anthropological or sociological theoretical frameworks
  • Readers wanting only light mystery stories with no concern for argumentation

Reading tips

  1. Begin with the table of contents to grasp the thematic distribution, then closely read chapters relevant to your research questions rather than reading every page.
  2. Read alongside a modern survey of witch-hunt history, noting the author's period biases and explanations that have since been corrected.
  3. While reading, distinguish between the historical sources the author relays and the author's own commentary, avoiding citing commentary as source material.

About the publisher

Project Gutenberg United States · Founded in 1971

Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.

Contents

  1. 1
  2. 2
  3. 3
  4. 4
  5. 5
  6. 6
  7. 7
  8. 8
  9. 9
  10. 10
  11. 11
  12. 12
  13. 13
  14. 14
  15. 15
  16. 16
  17. 17

FAQ

Does this book deal with witchcraft practice or witch-hunt history?
The book focuses on the intellectual-history level, discussing how magic and witchcraft beliefs were understood, spread, and institutionally treated, rather than offering a guide to ritual practice or a compilation of trial records. It is more a thematic discussion with a polemical edge, suited to readers concerned with questions of why people believe and how societies respond.
Do the author's views still hold up today?
Some explanatory frameworks bear the imprint of the nineteenth-century intellectual climate—for example, the presupposed dichotomy between "superstition" and "reason"—and most modern researchers have revised or refined them. Yet the book retains value as material for the history of scholarship, helping readers understand how modern witch-hunt research took shape step by step. It is best read critically rather than accepting its conclusions at face value.
Is the original English text difficult to read?
The original is nineteenth-century English prose with long sentences and many abstract nouns; non-native readers may need a dictionary and background materials. It is advisable to first familiarize yourself with the basic outline of witch-hunt history and common proper names before entering the text; for densely argued passages, slow down and grasp the topic sentence before working through the supporting material.

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About the author

Moir, George, 1800-1870 Author · Scottish · 1800–1870

George Moir (1800–1870) was a Scottish lawyer and man of letters who contributed regularly to Blackwood's Magazine. His surviving works are few; the library holds only one, Magic and Witchcraft. In that book Moir approaches the old subject of witchcraft from a lawyer's standpoint, and his writing leans toward narrative and inquiry rather than sensationalism, reflecting the taste of nineteenth-century Scottish men of letters for both entertainment and caution. Public information is limited, so details of his life, education, and personal circle cannot be reliably established. His reputation rests largely on Blackwood's, a periodical known for reviews and essays, and on the continuing citation of Magic and Witchcraft in later discussions of witchcraft history and folklore. For readers seeking to understand how Victorian intellectuals viewed belief in witchcraft, the book remains an accessible starting point.

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