Lost Diaries
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who enjoy English prose and light satirical literature
- Those interested in diary form and imitation-diary narrative
- Readers who want short literary material for odd moments
- Literature lovers curious about early twentieth-century English prose style
Not a good fit for
- Readers expecting strong plot and continuous story
- Scholars who need detailed historical notes and a scholarly introduction
- Readers who prefer contemporary colloquial narrative and are unused to earlier English prose
Reading tips
- Read in diary fragments, one or two at a time, without forcing continuous progression.
- Note shifts in the narrator's tone and the irony, and make brief annotations as appropriate.
- If the English is difficult, learn a little about Baring's life and era first, then return to a close reading.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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FAQ
Are the Lost Diaries real diaries or a fictional work?
Do I need to know British history to read this book?
Is this book suitable for English beginners?
Comments
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About the author
Maurice Baring (1874–1945) was an English writer whose work ranged across fiction, poetry, fairy tales, literary criticism and memoir. Eight of his books are represented here, including the memoir The Puppet Show of Memory, the fairy-tale collection The Blue Rose Fairy Book, the short-story collections Orpheus in Mayfair, and Other Stories and Sketches and Passing By, as well as Lost Diaries, Overlooked, Poems, 1914–1919 and the critical study An Outline of Russian Literature. These works show him moving easily between light fantasy and fairy tale, the subtle humour of his sketches and stories, and a broad, critically alert engagement with Russian literature. Public information is limited and the details of his life are hard to verify, yet the works above sufficiently reveal his versatility across genres and a style that combines humour with warmth.