Long Will
Tags
Summary
Editor's review
Who it's for
A good fit for
- Literary readers interested in the works of early American women writers
- Intermediate to advanced learners who wish to practise reading English originals
- Readers who enjoy classical narrative styles and leisurely pacing
- Students and enthusiasts studying late nineteenth-century American literature
Not a good fit for
- Readers of popular fiction who prefer fast pacing and strong dramatic conflict
- Learners still at the beginning stages of English reading who need simple texts
- Readers expecting a modern translation or a heavily annotated edition
Reading tips
- Read the opening chapters first to get used to the language, then decide whether to read closely or extensively.
- Keep a notebook for unfamiliar words and historical context to get more out of the English reading.
- Consult biographical material on the author, Converse, to understand the work's historical context.
- A steady pace of a fixed number of chapters per day is recommended, to avoid giving up partway through because of the language barrier.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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About the author
Florence Converse (1871–1967) was an American writer whose works are represented in this collection by two titles. Her best-known book, The Story of Wellesley, recounts the history of Wellesley College in a narrative style and remains a useful introduction to the institution; her other notable work, Long Will, shows her range as a novelist. Public information about her life is limited, and no reliable records of her education, positions, or awards are available; readers today chiefly know her through these works. Her writing, both in institutional history and in fiction, is plain and clear, attentive to concrete detail in portraying people and situations. Though her output was small, the distinctive subject matter gives her books a lasting documentary value, and they are still consulted and mentioned by interested readers and researchers.