Less than Human
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who enjoy speculative English short fiction
- Readers who want a low-cost way to try a new author's ebook
- Literature lovers interested in what makes a human human
- Readers who prefer short works in fragmented time such as commutes
Not a good fit for
- Genre-fiction readers who prefer long worldbuilding and complete plotlines
- English beginners who need a Chinese translation or bilingual edition
- Readers looking for light, easygoing, emotionally soothing reading
Reading tips
- Read the first two sections to gauge narrative voice and rhythm; if it doesn't fit, stop early rather than forcing yourself through.
- Watch for recurring images and keywords—they often carry the work's central speculation.
- After finishing, write a few sentences on where you draw the human/non-human boundary, then revisit the text and note the differences.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
- 1
- 2
- 3
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About the author
Zoë Blade (born 1981) is an author about whom limited public information is available. She is currently known to have published two works, Less than Human and Identity. Judging from their titles and subject matter, her writing appears to focus on identity, the boundaries of humanity, and the blurred territory between the human and the non-human, with a distinctly speculative bent. Because verifiable details of her life, nationality, and education are lacking, it is difficult to trace her creative development in full. What can be confirmed is that she entered readers' view through these two works and has left her mark on the theme of identity and what it means to be human. For readers interested in contemporary writing on identity and the question of humanity, her work offers a worthwhile point of entry.