The Mona Lisa
Tags
Summary
Editor's review
Who it's for
A good fit for
- Intermediate to advanced language learners studying Italian who wish to engage with literary originals
- Readers interested in Italian aestheticism and decadent literature
- Literature students researching D'Annunzio's plays or modern European drama
Not a good fit for
- General readers with no Italian who need a Chinese translation to assist them
- Readers who prefer light, popular plots and have little patience for poetic dialogue
Reading tips
- Learn about D'Annunzio and the aestheticist background before reading the play
- Use a Chinese or English translation to clarify character relationships and the lines of conflict
- Read key monologues aloud to appreciate the poetic and rhetorical rhythm of the dialogue
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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FAQ
Can I read this book without knowing Italian?
What themes does this play mainly explore?
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About the author
Gabriele D‘Annunzio (1863–1938) was an Italian writer. Thirteen of his works are held in this collection, including The Child of Pleasure, Le Novelle della Pescara, L‘Innocente, La Gioconda, Cabiria: Visione storica del terzo secolo A. C., Le vergini delle rocce, San Pantaleone and Forse che sì forse che no. Public information is limited, but these works show that his writing spans novels, short stories and drama, often dealing with desire, guilt, aristocratic life and historical imagination. His style is known for sensuous description and elaborate rhetoric, with aesthetic and decadent overtones. His works had a certain influence on early twentieth-century Italian literature and popular culture.