Juggernaut: A Veiled Record cover

Juggernaut: A Veiled Record

Rating 2.7
Word count
378K words
Chapters
38

Tags

Summary

Project Gutenberg was the first provider of free electronic books, or eBooks. Michael Hart, founder of Project Gutenberg, invented eBooks in 1971 and his memory continues to inspire the creation of eBooks and related technologies today.Juggernaut: A Veiled Record by George Cary Eggleston and Dolores MarbourgAuthor: Marbourg, Dolores, 1870-1934,Language: English, Class: PS: Language and Literatures: American and Canadian literature, Release Date: Jun 5, 2012

Editor's review

Co-authored by George Cary Eggleston and Dolores Marbourg, Juggernaut: A Veiled Record is a novel with elements of suspense and revelation. The "veil" in the title suggests that the narrative does not lay things out directly: relationships, motives, and the truth of events tend to emerge gradually through layers of concealment, and readers must piece the information together along with the narrator. Its readability comes from the combination of plot momentum and psychological portraiture; it has the dramatic tension of popular fiction while retaining the late-nineteenth-century American novel's attention to the social landscape and the darker side of human nature. For readers who enjoy old-fashioned suspense, family secrets, or social expose, this book offers a rewarding experience; but it is not a fast-paced modern thriller, with considerable groundwork in the opening and relationships that require careful sorting. Reading several chapters at a stretch is recommended to keep the threads coherent; noting characters and key events as you go, then looking back at the earlier foreshadowing at the end, will make the reading more rewarding.

Who it's for

A good fit for

  • Readers who enjoy late-nineteenth-century American fiction and old-fashioned suspense narratives
  • Those interested in family secrets, social expose, and psychological characterization
  • Patient readers willing to sort out relationships and enjoy gradually piecing together the truth
  • Readers curious about the popular-literature landscape of public-domain fiction

Not a good fit for

  • Readers seeking fast-paced modern thrillers with strong twists
  • Those unaccustomed to the pacing and extensive groundwork of old novels
  • Beginners hoping for substantial annotations or introductory guidance

Reading tips

  1. Before starting, skim the chapter titles to get a sense of the story's broad stages, then begin the text.
  2. Keep notes on the main characters and their relationships to avoid confusion over clues caused by the old-fashioned narration.
  3. Read several chapters at a stretch before stopping, to maintain a coherent grasp of foreshadowing and cause and effect.
  4. After finishing, revisit key passages earlier in the book to appreciate how the "veiled" narrative lays out the truth.

About the publisher

Project Gutenberg United States · Founded in 1971

Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.

Contents

  1. 1
  2. 2
  3. 3
  4. 4
  5. 5
  6. 6
  7. 7
  8. 8
  9. 9
  10. 10
  11. 11
  12. 12
  13. 13
  14. 14
  15. 15
  16. 16
  17. 17
  18. 18
  19. 19
  20. 20
  21. 21
  22. 22
  23. 23
  24. 24
  25. 25
  26. 26
  27. 27
  28. 28
  29. 29
  30. 30
  31. 31
  32. 32
  33. 33
  34. 34
  35. 35
  36. 36
  37. 37
  38. 38

FAQ

Is this book suitable for beginners to suspense fiction?
It can serve as an introduction to old-fashioned suspense, but it is not a fast-paced modern work. The opening lays considerable groundwork, and relationships require patient sorting. If you are willing to read slowly and take notes on clues, you can enjoy the gradual revelation of truth; if you are used to intense twists, the pacing may feel slow.
What does "Juggernaut" in the title refer to?
In English, "Juggernaut" often refers to an unstoppable, crushing force or institution. Combined with the subtitle "A Veiled Record," the title suggests a story involving some vast concealed force or hidden record. What exactly it refers to must be understood as the plot unfolds in reading; it should not be predetermined apart from the text.
Does having two authors affect the narrative's coherence?
A co-authored work may show shifts in perspective or tone, but it may also create complementary strengths. While reading, simply pay attention to transitions between chapters and consistency of character; there is no need to assume division in advance. If you feel a jump, look back at the end of the previous chapter to confirm whether time and scene have changed.

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About the author

Marbourg, Dolores, 1870-1934 Author · 1870–1934

Dolores Marbourg (1870–1934) was an author active in the late nineteenth and early twentieth centuries. Her life is sparsely documented in publicly available sources, and the known information is largely confined to her birth and death years and a single surviving work. That work, Juggernaut: A Veiled Record, carries a title in which "Juggernaut" suggests an irresistible, crushing force, while "A Veiled Record" implies a narrative of secrecy or concealed testimony; together they hint at themes of mystery, hidden secrets, or social intrigue. Lacking contemporary reviews and biographical material, her writing style and literary influence are difficult to establish with certainty, and readers can only approach her narrative interests and prose through this one book. On the whole, she belongs among authors whose work survives while their later reputation remains modest, and her interest for study lies chiefly in the period atmosphere and narrative techniques reflected in that volume.

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