Ivanoff: A Play cover

Ivanoff: A Play

Rating 3.8
Word count
126K words
Chapters
13

Tags

Summary

Project Gutenberg was the first provider of free electronic books, or eBooks. Michael Hart, founder of Project Gutenberg, invented eBooks in 1971 and his memory continues to inspire the creation of eBooks and related technologies today.Ivanoff: A Play by Anton Pavlovich ChekhovAuthor: Chekhov, Anton Pavlovich, 1860-1904,Language: English, Class: PG: Language and Literatures: Slavic (including Russian), Languages and Literature, Release Date: May 1, 1999

Editor's review

Ivanoff is a transitional work in Chekhov's early drama, tracing the gradual collapse of a once spirited middle-class intellectual under the weight of debt, marriage, and self-doubt. Its value lies in Chekhov's already beginning to handle human weariness and hypocrisy without slogans: the protagonist is both pitiable and repellent, those around him each have their calculations and their grievances, and there is no absolute villain on stage—only vitality worn away by daily life. Compared with his later masterpieces, the play still bears traces of melodrama, but the subtext of the dialogue and the handling of the ensemble already show the embryo of Chekhovian drama. Read it as a transitional text not yet fully Chekhovian, and attend to how Ivanoff's conversations with those around him expose self-deception. It suits drama lovers and readers making a special study of Chekhov reading it through in a quiet setting, and also students of acting analyzing characters.

Who it's for

A good fit for

  • Readers interested in Chekhov's drama who want to understand its development
  • Students of drama, film, and television who need to analyze subtext and ensemble staging
  • Literary readers who enjoy psychological realist drama and can accept a somber tone
  • Reading groups or script-reading circles in need of a medium-length play for discussion

Not a good fit for

  • Readers expecting strong dramatic conflict and clear moral judgments
  • Readers familiar only with Chekhov's short stories and not interested in the dramatic genre
  • Those seeking a light, pleasant reading experience who are sensitive to despondent moods

Reading tips

  1. First read the whole play to grasp the sequence of events, then reread key conversations, noting where characters do not mean what they say
  2. Try reading aloud by role to feel the pauses and subtext in Chekhov's lines
  3. Record the changes in each of Ivanoff's self-justifications as you read, observing his psychological decline
  4. Read it in the context of Chekhov's early plays to understand the work's transitional style

About the publisher

Project Gutenberg United States · Founded in 1971

Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.

Contents

  1. 1
  2. 2
  3. 3
  4. 4
  5. 5
  6. 6
  7. 7
  8. 8
  9. 9
  10. 10
  11. 11
  12. 12
  13. 13

FAQ

Is this Chekhov's mature masterpiece?
It is not his most mature drama. Ivanoff is often regarded as an important work from Chekhov's period of dramatic exploration, showing early signs of psychological realism but still retaining considerable melodramatic elements. Reading it within the development of Chekhov's drama makes it easier to see the evolution toward The Seagull and Uncle Vanya.
What themes does the play mainly discuss?
At its core is how a once idealistic middle-class intellectual moves toward collapse under debt, marriage, and self-doubt, together with the hypocrisy, endurance, and calculation of those around him. It offers no moral verdict but lets readers see how daily life wears away vitality bit by bit and how self-deception sustains respectability.
What is the difference between reading a play and seeing a performance?
Reading the script allows close attention to stage directions, characters' pauses, and the subtext of dialogue, and makes it easy to revisit key passages; a performance presents atmosphere through acting and staging. If possible, read it once and then compare with a recorded performance, noting how the director handles Ivanoff's self-justifications and the reactions of those around him.
What should I note when reading the English electronic edition?
This is a free public-domain English e-book from Project Gutenberg, in English. When reading, note differences in the transliteration of names and make a character list first; do not skip the stage directions in the script format, as they often indicate relationships and emotional turns. If you are more comfortable in Chinese, you can find a Chinese translation for comparison.

Comments

Find this book

This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.

About the author

Anton Pavlovich Chekhov (1860–1904) was a renowned Russian short-story writer and playwright. The collection holds forty of his works, including Uncle Vanya, The Sea-Gull, The Schoolmistress, and Other Stories, The Witch, and Other Stories, as well as a compilation of his short stories and his letters. His plays are often set in country life, revealing beneath its quiet surface the characters' inner sorrows and hopes; his short stories are concise and restrained, uncovering human nature and the spirit of the age through ordinary incidents. Though his works here are often classed as inspirational growth, they are better seen as profound observations of life's predicaments. Public information is limited, so biographical details are omitted.

More by the same author

Top rated in the same category