Human Animals cover

Human Animals

Rating 3.3
Word count
558K words
Chapters
56

Tags

Summary

Project Gutenberg was the first provider of free electronic books, or eBooks. Michael Hart, founder of Project Gutenberg, invented eBooks in 1971 and his memory continues to inspire the creation of eBooks and related technologies today.Human Animals by Frank HamelAuthor: Hamel, Frank,Language: English, Class: GR: Geography, Anthropology, Recreation: Folklore, Release Date: Sep 15, 2012

Editor's review

Frank Hamel's Human Animals is a folklore-oriented work centered on beliefs in transformation between humans and animals, belonging to the field of folk legend and folklore studies. Its strength lies in gathering and classifying the motif of "humans turning into beasts and beasts appearing as humans" scattered across folk narratives, and in discussing the evolution of legends such as werewolves and bear-men, as well as the psychological and ritual functions of these ideas in rural society. The writing carries the organizing style of early twentieth-century folklore scholarship, with abundant quoted material and a relatively plain theoretical framework, making it more suitable as a source for motif indexes and comparative reading than as the latest academic conclusion. For writers, genre fiction enthusiasts, and researchers of folk culture, this book offers a wealth of imagery and narrative archetypes; for general readers, it serves as a window into European legends of animal transformation. It is best read with a comparative eye, noting regional differences in the material and the contexts of telling.

Who it's for

A good fit for

  • Readers interested in folklore motifs such as werewolves and shape-shifting legends
  • Writers seeking to collect mythic imagery and narrative archetypes
  • Cultural researchers concerned with folk belief and its relation to rural society
  • Readers who enjoy comparing legends across different regions

Not a good fit for

  • Contemporary folklore students seeking a systematic theoretical framework
  • Casual readers expecting thriller-style plotting
  • Beginners with limited English reading stamina and no guide

Reading tips

  1. Start with the table of contents and pick chapters by shape-shifting motif; no need to read front to back.
  2. Make motif cards as you read, noting legend type, region, and core plot.
  3. Compare against known werewolf legends or local gazetteers and note differences in narration.
  4. After finishing, pick one legend, retell it in your own words, and analyze its social function.

About the publisher

Project Gutenberg United States · Founded in 1971

Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.

Contents

  1. 1
  2. 2
  3. 3
  4. 4
  5. 5
  6. 6
  7. 7
  8. 8
  9. 9
  10. 10
  11. 11
  12. 12
  13. 13
  14. 14
  15. 15
  16. 16
  17. 17
  18. 18
  19. 19
  20. 20
  21. 21
  22. 22
  23. 23
  24. 24
  25. 25
  26. 26
  27. 27
  28. 28
  29. 29
  30. 30
  31. 31
  32. 32
  33. 33
  34. 34
  35. 35
  36. 36
  37. 37
  38. 38
  39. 39
  40. 40
  41. 41
  42. 42
  43. 43
  44. 44
  45. 45
  46. 46
  47. 47
  48. 48
  49. 49
  50. 50
  51. 51
  52. 52
  53. 53
  54. 54
  55. 55
  56. 56

FAQ

Is this book mainly about werewolves?
Werewolves are an important subject, but the book's scope is broader, covering folk beliefs about humans transforming into bears, cats, birds, and other animals, as well as adjacent motifs such as animals taking human form and human-animal marriages. Werewolves can be seen as an entry point, not the book's sole theme.
As a folklore work, how academic is it?
It belongs to early folklore scholarship of the material-compilation type, strong on collecting and classifying legends but relatively brief in theoretical analysis, and it does not use contemporary fieldwork methods. Today it is better read as a motif index and a body of first-hand retold material; for deeper theory, supplement it with contemporary folklore studies.
Is the original English edition difficult to read?
The book quotes a large number of legends and local materials. Sentence structure is not complex, but there are many personal and place names and archaic spellings, and modern annotations are lacking. Readers with decent English can manage with a dictionary; if you are only gathering material, you may first read a relevant Chinese folklore overview and then consult specific chapters.

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About the author

Hamel, Frank Author · British

Frank Hamel was a British author about whom public information is limited; details of his life, such as birth and death dates and educational background, are not clearly recorded. The only confirmed work is Human Animals, a book generally placed in the tradition of folklore and natural history writing, showing the author's interest in human-animal relations, popular beliefs, and natural observation. Judging from the subject matter, his writing tends to set cultural customs alongside knowledge of the animal world and present it to readers in an accessible manner rather than as a strictly academic treatise. Because only one work survives and commentary on it is scarce, Hamel's place in literary or scientific history is not prominent, and his influence lies mainly in popular writing at the intersection of natural history and folklore. For today's readers, Human Animals is chiefly a text reflecting the character of popular British nature writing in the late nineteenth and early twentieth centuries, useful to scholars studying animal conceptions and folkloric interests of that period.

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