Ghostly Phenomena
Tags
Summary
Editor's review
Who it's for
A good fit for
- General readers who enjoy ghost stories and supernatural lore
- Those interested in folklore, supernatural literature, or the history of popular culture
- Novelists and screenwriters in need of weird-tale material
- Readers curious about early twentieth-century English popular literature
Not a good fit for
- Readers seeking scientific explanations or empirical research
- Readers impatient with old-fashioned English and anecdotal narration
- Researchers expecting rigorous argumentation or a systematic theoretical framework
Reading tips
- Treat it as cultural-historical material rather than factual record, and note the narrator's period biases as you read.
- Read by chapter according to type of haunting; sequential reading from start to finish is not necessary.
- Compare with modern folklore or psychological discussions of supernatural narratives.
- After reading, organize motifs of interest as material for writing or research.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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FAQ
Does this book argue that ghosts really exist?
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About the author
Elliott O’Donnell (1872–1965) was a British writer known for his works on ghosts, hauntings and the supernatural. Ten of his books are held in this collection, including Twenty Years’ Experience as a Ghost Hunter, Werwolves, Byways of Ghost-Land, Animal Ghosts; Or, Animal Hauntings and the Hereafter, Scottish Ghost Stories, The Sorcery Club, The Banshee and Haunted Places in England. His writing draws largely on local ghost lore and haunted-place legends, and also treats folkloric figures such as werewolves and the banshee, in a reportorial style that emphasises atmosphere and the retelling of tales. Public information about him is limited and few biographical details are known, but his works show a sustained interest in collecting and presenting ghost stories from Britain and Europe, making him one of the more active writers of supernatural popular literature in the early twentieth-century English-speaking world.