Field's Chromatography
Tags
Summary
Editor's review
Who it's for
A good fit for
- Art historians studying the history of painting materials and pigment craft
- Conservators who need knowledge of traditional pigments
- Readers interested in nineteenth-century colour theory and painting techniques
- Art students and researchers who need to cite public-domain sources
Not a good fit for
- Those wanting to learn modern chromatographic analysis laboratory techniques
- Painting beginners expecting a systematic textbook-style introduction
- Readers who prefer contemporary colour theory and have no interest in historical texts
Reading tips
- Read the table of contents first and locate chapters on pigment preparation or colour classification before close reading.
- Read alongside art history or conservation materials, noting differences between historical and modern terminology.
- Use it as a reference book as needed rather than attempting to read it all.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- 17
- 18
- 19
- 20
- 21
- 22
- 23
- 24
- 25
- 26
- 27
- 28
- 29
- 30
- 31
- 32
- 33
- 34
- 35
- 36
- 37
- 38
- 39
- 40
- 41
- 42
- 43
- 44
- 45
- 46
- 47
- 48
- 49
- 50
- 51
- 52
- 53
- 54
- 55
- 56
- 57
- 58
FAQ
Is this book about chromatographic analysis techniques in modern chemistry?
Is this book suitable for painting enthusiasts with no foundation?
What should be noted when reading this public-domain e-book?
Comments
Find this book
This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
George Field (1777?–1854) was a British chemist and colour theorist known for his work on colour science and pigments. His birth year can only be conjectured as about 1777, and he died in 1854; public information about his early life, education and professional career is limited and difficult to establish. His representative work, Field's Chromatography, discusses pigments and colour science. The book addresses the material basis of colour and the mixing and harmony of hues, reflecting the nineteenth-century interchange between chemistry and artistic practice. It remains a reference for those concerned with pigment research and the application of colour. In Chinese bibliographic sources he is usually placed in categories related to chemistry and colour theory.