Farewell
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers new to Balzac's style: short and easy to enter
- Students of realist fiction and short narrative: convenient for structural analysis
- Teachers and students of French literature courses: usable as a classroom discussion text
- Literary readers who enjoy restrained lyricism and lingering endings
Not a good fit for
- Readers seeking long epic-style group portraits and complex plots
- Readers expecting light entertainment and fast-paced stories
- Readers completely unfamiliar with 19th-century French historical background who are unwilling to consult additional materials
Reading tips
- Read it in one sitting, then look back at how the opening environmental description echoes the ending.
- Spend ten minutes before reading learning the story's historical background to lower the threshold of understanding.
- Compare it with Balzac's novels to observe how the short form compresses characters' fates.
- After reading, write a hundred-word summary to test whether you have grasped the turns and the blank space.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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FAQ
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About the author
Honoré de Balzac (1799–1850) was a French novelist best known for his vast series La Comédie humaine. The library holds 143 of his works, including Father Goriot, Lost Illusions, Eugénie Grandet, and several volumes of La Comédie humaine. His writing is distinguished by dense detail, a large cast of characters, and an intricate social network, often linking separate works through recurring figures to portray nineteenth-century French society. He excelled at depicting the power of desire, ambition, and money through precise settings and strong narrative tension, and he exerted a lasting influence on later realist fiction. Beyond the broad outline of his life, public information is limited, so this note focuses on the themes and style of his works.