Eurimedon
Tags
Summary
Editor's review
Who it's for
A good fit for
- Scholars and students studying seventeenth-century French drama and literary history
- Readers of French who need to engage with early modern French texts
- Collector-type readers interested in obscure classical plays and documentary texts
Not a good fit for
- General readers seeking light, entertaining stories
- Readers with limited French who need a Chinese translation
- Beginners expecting modern typesetting, notes, and detailed introductions
Reading tips
- First learn the basic conventions of French drama in the first half of the seventeenth century, then enter the text.
- Keep French reference works at hand to check archaic spellings and syntax as they arise.
- Read alongside works by contemporary playwrights to observe the genre's evolution.
- Focus on language style and character arrangement rather than plot progression.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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About the author
Nicolas-Marc Desfontaines (1610–1652) was a seventeenth-century French playwright, novelist and actor, born in Rouen around 1610 and died in Angers in 1652; his real name was Nicolas Mary. He wrote some thirteen plays, four of which are held in this collection: L'illustre comédien, ou Le martyre de Sainct Genest, La vraye suitte du Cid (a sequel to Corneille's Le Cid), Eurimedon, and L'illustre Olympie, ou Le st Alexis. His dramas draw largely on religious martyrdom and legendary romance, blending tragic and comic tones and following the rhetorical conventions of classical French theatre; his sequel to Le Cid also shows his active place in Parisian theatrical circles. Public information on his early education and personal life remains limited and awaits further verification.