Edward MacDowell: A Study
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Summary
Editor's review
Who it's for
A good fit for
- Readers interested in American classical music history and composer biography
- Music lovers who want a light introduction to MacDowell and his work
- Readers who enjoy the style of early twentieth-century English music criticism
- Students of music history seeking supplementary case material on an individual composer
Not a good fit for
- Specialist researchers expecting systematic score analysis and technical dissection of the works
- Readers who are not comfortable with English originals and need a Chinese translation
- General readers with no interest in Western classical music
Reading tips
- Listen to a few of MacDowell's piano miniatures or orchestral works before turning to the text.
- Work through the chapters slowly and note the titles of works mentioned for later listening.
- Skip unfamiliar musical names at first and focus on the author's overall judgment of the composer's character.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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FAQ
Is this book a Chinese translation?
Can I understand it without a music background?
Is it suitable as a music history textbook?
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About the author
Lawrence Gilman (1878–1939) was an American music critic and writer, though details of his life are difficult to set out fully because public information is limited. Four of his works are held here, all concerned with music: a dedicated study of Debussy's opera Pelléas et Mélisande, an introductory guide for listeners titled Stories of Symphonic Music, a monograph on the composer Edward MacDowell, and Aspects of Modern Opera: Estimates and Inquiries, which examines various questions raised by modern opera. These works show him combining musical analysis, background on the works, and guidance in appreciation, in a clear style suited to both professional readers and general music lovers, giving him a place in early twentieth-century American music popularization and criticism.