Disowned
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in American popular fiction from the first half of the twentieth century
- Enthusiasts studying public-domain literary texts and publishing history
- Learners who need original English-language novels for extensive reading practice
- Readers who enjoy observing shifts in period attitudes through old novels
Not a good fit for
- Readers expecting contemporary fast-paced, plot-driven fiction
- Those with weak English foundations who need a Chinese translation
- Readers interested only in classic masterpieces, with limited interest in popular works
Reading tips
- Read the opening chapters first to gauge the narrative pace, then decide between close reading and extensive reading
- Keep track of character relationships and period language to better understand the expressive habits of old novels
- Compare with other American novels of the same period to observe shared themes and styles
- When reading extensively in English, don't verify every word; grasp the plot direction first, then revisit the details
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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About the author
Victor A. Endersby (1891–1988) is an author about whom very little biographical information survives; publicly available sources are limited, and his nationality, education, and professional career are not clearly documented. What can be confirmed is that he was born in 1891 and died in 1988, and that he left only a small number of works. Our collection holds just one of them, Disowned. Judging from this surviving work, Endersby's writing leans toward narrative and centers on his characters' circumstances and sense of belonging, while the title itself hints at themes of denial and severance. Because biographical material is scarce, scholars and readers have only a limited picture of his work as a whole; his writing survives mainly as a single text and has not yet attracted systematic study. For today's readers, he is a minor author to be approached cautiously through the few traces available.