The Last Joy
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Summary
Editor's review
Who it's for
A good fit for
- Readers studying German literature who need public-domain texts
- Those interested in early twentieth-century German modernist writing
- Students researching women writers and avant-garde literary lineages
- Readers who wish to practice intensive German reading with short texts
Not a good fit for
- Readers with no German who are unwilling to use a translation
- Readers expecting traditional plot-driven fiction or light reading
- Beginners needing detailed notes and scholarly introductions
Reading tips
- Read through once to grasp the overall tone, then read closely paragraph by paragraph for imagery and syntax.
- Note recurring words and images, and observe how the title "The Last Joy" is ironized.
- Read alongside background material on early twentieth-century German expressionism to understand its stylistic orientation.
- If German is difficult, read with a reliable translation, but keep the rhythm of the original as the guide.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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FAQ
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Can I read it without knowing German?
Who was the author, Emmy Ball-Hennings?
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About the author
Ball-Hennings, Emmy (1885–1948) was a German-language woman writer with a somewhat legendary aura in literary history. Her work spans poetry and prose, and she moved in the circles of early twentieth-century European avant-garde art and literature. Only one of her works is currently held in this collection, namely Die letzte Freude (which may be rendered as "The Last Joy"). Because public information is limited, details of her life, nationality and education cannot be reliably confirmed and are not speculated upon here. Judging from the known work, her writing tends to capture inner experience in spare, musical language, with high emotional intensity, a touch of melancholy and a attachment to fleeting moments of life; her themes often center on personal feeling, love and death. Her name is occasionally mentioned in studies of German modern poetry and women's writing, and her small body of work offers a noteworthy example for understanding the marginal and sensitive voices of her era.