Daisy Burns cover

Daisy Burns

Rating 3.0
Word count
526K words
Chapters
53

Tags

Summary

Project Gutenberg was the first provider of free electronic books, or eBooks. Michael Hart, founder of Project Gutenberg, invented eBooks in 1971 and his memory continues to inspire the creation of eBooks and related technologies today. Daisy Burns (Volume 1) by Julia Kavanagh. Author: Kavanagh, Julia, 1824-1877. Language: English. Class: PR: Language and Literatures: English literature. Release Date: May 18, 2011

Editor's review

Daisy Burns, Volume 1, is a novel by Julia Kavanagh (1824–1877), prepared by Project Gutenberg as a free electronic edition. Kavanagh was a nineteenth-century British novelist whose works often focus on women's circumstances and family relations; this book continues that thread, laying out character growth and everyday ethics with a delicate touch. As a public-domain ebook, its value lies first in documentary accessibility: readers can encounter a mid-Victorian narrative text without paying, and observe how novels of the time shaped female images and handled emotion and duty. Read it as a period text rather than a plot-first popular novel, and pay attention to narrative pace, character dialogue, and the moral framework. It suits readers interested in nineteenth-century British literature, the history of women's writing, or public-domain ebooks; those expecting strong plot or modern psychological portrayal should adjust their expectations. The electronic edition is in original English without Chinese notes, so the barrier is mainly language rather than length.

Who it's for

A good fit for

  • Readers interested in nineteenth-century British fiction and the history of women's writing
  • Researchers who need free public-domain English originals for close reading
  • Readers used to slow reading who are willing to savor Victorian narrative pace
  • General readers who want to see what a Project Gutenberg ebook is like

Not a good fit for

  • Popular-fiction readers who want strong plot and fast pace
  • Beginner readers who need a Chinese translation or detailed notes
  • Readers impatient with classical English narrative language

Reading tips

  1. Read the first few chapters to see whether you can adjust to the narrative pace and English expression before deciding whether to read it all.
  2. Keep paper and pen to record character relationships and key scenes, which helps grasp the thread of a multi-volume novel.
  3. Read alongside background material on nineteenth-century British society to understand the circumstances and choices of female characters.
  4. Read it as a period text, paying attention to dialogue and moral judgment rather than only following plot.

About the publisher

Project Gutenberg United States · Founded in 1971

Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.

Contents

  1. 1
  2. 2
  3. 3
  4. 4
  5. 5
  6. 6
  7. 7
  8. 8
  9. 9
  10. 10
  11. 11
  12. 12
  13. 13
  14. 14
  15. 15
  16. 16
  17. 17
  18. 18
  19. 19
  20. 20
  21. 21
  22. 22
  23. 23
  24. 24
  25. 25
  26. 26
  27. 27
  28. 28
  29. 29
  30. 30
  31. 31
  32. 32
  33. 33
  34. 34
  35. 35
  36. 36
  37. 37
  38. 38
  39. 39
  40. 40
  41. 41
  42. 42
  43. 43
  44. 44
  45. 45
  46. 46
  47. 47
  48. 48
  49. 49
  50. 50
  51. 51
  52. 52
  53. 53

FAQ

Is this book in Chinese or English? What language level is needed?
According to Project Gutenberg information, this is an electronic edition in original English, with no Chinese translation or notes. Readers need basic English reading ability to handle the sentence patterns and vocabulary of a nineteenth-century novel. If the original is hard, you can first find Chinese background material on the era to assist, then return to the text.
Why does the introduction repeatedly mention Project Gutenberg?
Because this edition is released by Project Gutenberg, and the text in the introduction is mainly the platform description and bibliographic metadata, not a plot summary of the novel. Readers should treat the introduction as a source note, not a content guide. To understand the story, read the main text directly.
Is this book suitable for academic research?
It can serve as a public-domain original for close reading and basic research on the history of women's writing and nineteenth-century British fiction, but this electronic edition has no scholarly notes or textual collation. For formal papers, it is advisable to check other authoritative editions and supplement background literature yourself.

Comments

Find this book

This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.

About the author

Julia Kavanagh Author · Irish · 1824–1877

Julia Kavanagh (1824–1877) was an Irish novelist and biographer, born in Thurles, County Tipperary, and died in Nice, France. She spent much of her childhood with her parents in France and became fluent in French, a background that led her to set much of her fiction in French life, writing with delicacy and a realistic tendency. She produced some twenty works, including Madeleine, Nathalie, Daisy Burns, Rachel Gray: A Tale Founded on Fact, and French Women of Letters, working in both fiction and biographical writing on women's literature. Three of her works are held in this collection. Overall, her writing has a distinct place in nineteenth-century English literature for its cross-cultural French subjects and its attention to female characters, though public information about her is limited and the details of her life and the influence of her works remain to be further studied.

More by the same author

Top rated in the same category