Cupid's Understudy
Tags
Summary
Editor's review
Who it's for
A good fit for
- English learners looking for a short English play to practice reading
- Readers interested in early twentieth-century American popular theater
- Drama enthusiasts or students needing light-comedy excerpts
Not a good fit for
- Readers expecting profound social issues or weighty literary themes
- Readers uncomfortable with script format who only read pure narrative fiction
Reading tips
- Read through the character list and scene descriptions first to establish relationships before entering the dialogue.
- Reading the dialogue aloud helps capture the rhythm of the lines and stays closer to the script than silent reading.
- When encountering old-fashioned colloquialisms or slang, note the context first rather than stopping to look up every word.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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FAQ
Is this book a novel or a play?
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About the author
Salisbury Field (1878–1936) was an American playwright and screenwriter. Public information about his education, early life, and detailed chronology of works is limited; what can be confirmed concerns mainly his professional identity and one representative work. He was active both on Broadway and in early Hollywood, writing for the theatre as well as for the screen, and his career spanned a period when stage drama still predominated and the film industry was rising rapidly. One work by him, Cupid's Understudy, is held in this collection; judging from its title, it likely belongs to the light romantic comedy genre, which was popular on Broadway and on screen at the time and fits his dual focus on stage and film. Given the limited surviving material, a fuller picture of his oeuvre and literary standing awaits more complete bibliography and research.