Composition-Rhetoric cover

Composition-Rhetoric

Rating 2.0
Word count
763K words
Chapters
77

Tags

Summary

Project Gutenberg was the first provider of free electronic books, or eBooks. Michael Hart, founder of Project Gutenberg, invented eBooks in 1971 and his memory continues to inspire the creation of eBooks and related technologies today.Composition-Rhetoric by Stratton D. Brooks and Marietta HubbardAuthor: Hubbard, Marietta,Language: English, Class: PE: Language and Literatures: English, Release Date: Apr 1, 2004

Editor's review

This book, co-authored by Stratton D. Brooks and Marietta Hubbard, is an English writing and rhetoric textbook classified under English language and literature and released free by Project Gutenberg. Its value lies in presenting an early systematic framework for English writing instruction: from combining words into sentences to organizing paragraphs, and then to basic training in rhetoric and style. The content emphasizes rules, examples, and exercises, bearing a distinct classroom-textbook character. For today's readers, it is both a specimen of the history of English writing instruction and a comparative resource that helps understand the evolution of writing pedagogy. It need not be read page by page; readers can select key chapters in the order of "sentence—paragraph—essay" and use them alongside their own writing practice. Because it was published early, some example texts and usages bear the marks of their time; readers should exercise discernment and not treat all rules as contemporary standards.

Who it's for

A good fit for

  • English learners seeking a systematic understanding of the foundational framework of English writing and rhetoric
  • Teachers and researchers studying the history of English writing instruction and the evolution of textbooks
  • Self-learners of English writing in need of examples and exercise materials

Not a good fit for

  • Readers looking only for quick writing templates and unwilling to do exercises
  • Those needing contemporary academic writing conventions and the latest citation formats
  • Beginners with weak English foundations who find it difficult to read the original English textbook

Reading tips

  1. Read the table of contents first, divide it into three parts—sentence, paragraph, essay—and set a reading order.
  2. After each section, write a short summary in Chinese or English to check understanding.
  3. Choose examples from the book for imitation writing practice, then check your sentences against the rules.
  4. Mark outdated usages or example texts and compare them with contemporary writing conventions.

About the publisher

Project Gutenberg United States · Founded in 1971

Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.

Contents

  1. 1
  2. 2
  3. 3
  4. 4
  5. 5
  6. 6
  7. 7
  8. 8
  9. 9
  10. 10
  11. 11
  12. 12
  13. 13
  14. 14
  15. 15
  16. 16
  17. 17
  18. 18
  19. 19
  20. 20
  21. 21
  22. 22
  23. 23
  24. 24
  25. 25
  26. 26
  27. 27
  28. 28
  29. 29
  30. 30
  31. 31
  32. 32
  33. 33
  34. 34
  35. 35
  36. 36
  37. 37
  38. 38
  39. 39
  40. 40
  41. 41
  42. 42
  43. 43
  44. 44
  45. 45
  46. 46
  47. 47
  48. 48
  49. 49
  50. 50
  51. 51
  52. 52
  53. 53
  54. 54
  55. 55
  56. 56
  57. 57
  58. 58
  59. 59
  60. 60
  61. 61
  62. 62
  63. 63
  64. 64
  65. 65
  66. 66
  67. 67
  68. 68
  69. 69
  70. 70
  71. 71
  72. 72
  73. 73
  74. 74
  75. 75
  76. 76
  77. 77

FAQ

Is this textbook suitable for today's English writing courses?
It can serve as supplementary material, but it is not recommended as the sole main textbook for a contemporary writing course. The framework still has reference value, but the example texts, usages, and some conventions bear the marks of their time. Teachers can select the sentence and paragraph training sections while supplementing with contemporary academic writing and citation conventions.
Does it need to be read from cover to cover?
No. Textbooks are better read as needed. It is advisable to first look at the table of contents to see how the sentence, paragraph, and rhetoric sections are distributed, then select readings based on your weak areas. The exercises after each section help absorption more than reading straight through; reading a little and practicing a little works better.
Do the rules in the book conflict with what is taught today?
Possibly. Published early, some usages, example texts, and stylistic preferences are not fully consistent with contemporary writing instruction. Readers should understand the rules as teaching propositions within a historical context and consult contemporary writing handbooks when in doubt, rather than treating old rules as absolute standards.
Can readers with average English foundations read this book?
The book itself is an English textbook, so reading it requires a certain level of English reading comprehension. Readers with average foundations can use a dictionary to start with the sentence and paragraph sections and skip chapters with harder example texts; if reading the original is difficult, it is advisable to first build a foundation with Chinese writing textbooks and then return to selected readings.

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About the author

Marietta Hubbard is an author about whom very little is publicly known: her nationality, dates of birth and death, education, and professional career are not clearly recorded. What can be confirmed is that the library holds only one work by her, Composition-Rhetoric. As the title suggests, it is a textbook or reader on writing and rhetoric, dealing with the organization of essays, the use of style, and the expression of language, and is a practical teaching text intended for students or writers. Books of this kind generally value clear structure and concrete examples, and seek to connect rhetorical principles with writing practice. Because direct information about the author is so scarce, scholars and readers chiefly understand her through this work itself; its survival shows that she took part in spreading knowledge about English writing education and offers a useful sample for studying early teaching materials on writing. Beyond this, little can be inferred about her life.

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