Combat
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in mid-twentieth-century American pulp science fiction
- Fans wanting a short piece to quickly sample Golden Age science fiction style
- Students needing a public-domain English short story as reading or research material
Not a good fit for
- Readers who prefer long, grand world-building and complex character arcs
- Beginners who find English reading difficult and need annotated support
- Readers expecting modern science fiction technology and cutting-edge ideas
Reading tips
- Read through once to grasp the plot, then revisit how the title echoes the ending
- While reading, note how the author handles war and individual choice
- If using it for a course or writing reference, record its narrative pacing and turning points
- After finishing, look up other Reynolds short stories to compare and sense his stylistic commonalities
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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About the author
Mack Reynolds (1917–1983) was an American science fiction writer, born Dallas McCord Reynolds. Because public information is limited, no speculation is made here about his early life or education. The collection holds twenty-five of his works, including I’m a Stranger Here Myself, The Common Man, Happy Ending, Dogfight—1973, Black Man’s Burden, Off Course, Summit, and Ultima Thule. These titles suggest that he excelled at short stories and novellas, often addressing social issues, race relations, political conflict, and future warfare. His titles are frequently blunt and ironic, his narratives tight, and he makes effective use of suspense and reversal to discuss real-world problems within the framework of popular science fiction. His work appeared mainly in mid-twentieth-century science fiction magazines and has had some influence on later socially engaged science fiction.