Tags
Summary
Editor's review
Who it's for
A good fit for
- Classical music lovers who want to understand Bach's life and creative background
- Music students who need a concise English biography of Bach as introductory reading
- Readers of music history interested in the style of early musician biography
- General readers who want to supplement their listening to Bach with background on the man
Not a good fit for
- Readers of music theory seeking in-depth score analysis or professional harmonic study
- Specialist researchers expecting the latest Bach scholarship and contemporary research findings
- Readers with no knowledge of classical music terminology who are unwilling to consult basic reference materials
Reading tips
- After each chapter, listen to works from the corresponding period, such as keyboard pieces or sacred choral works, to create an aural comparison.
- While reading, note down the place names, positions, and genres mentioned in the book to form a timeline of Bach's life.
- Remain cautious about the book's historical judgments and verify key biographical details against contemporary Bach scholarship.
- The English original can be read in stages by period of life to avoid confusion about personal relationships from reading it all at once.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- 17
- 18
- 19
- 20
- 21
- 22
- 23
- 24
- 25
- 26
- 27
- 28
- 29
- 30
- 31
- 32
- 33
- 34
- 35
- 36
FAQ
Is this book a professional musicological work or a popular biography?
Do I need to read staff notation or know music theory to read this book?
Are the views in this Bach biography outdated?
How difficult is the English original to read?
Comments
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About the author
Charles Francis Abdy Williams (1855–1923) was a British music historian. Public information about him is limited, and the details of his life are largely obscure; his surviving writings show, however, that his research interests centered on notation, the organ, and the history of music education. His book Bach, a study of the composer, forms part of his writing on music history and is addressed to readers who wish to learn about Bach's life and works. Williams's writing combines documentary scholarship with popular exposition, attending to historical development and institutional context rather than offering purely appreciative criticism. His works hold a modest place among English-language writings on early music notation and organ culture and are still consulted by researchers and music lovers.