All Things are Possible cover

All Things are Possible

Rating 4.0
Word count
265K words
Chapters
27

Tags

Summary

Project Gutenberg was the first provider of free electronic books, or eBooks. Michael Hart, founder of Project Gutenberg, invented eBooks in 1971 and his memory continues to inspire the creation of eBooks and related technologies today.All Things are Possible by Lev ShestovAuthor: Shestov, Lev, 1866-1938,Language: English, Class: PG: Language and Literatures: Slavic (including Russian), Languages and Literature, Release Date: Jun 21, 2018

Editor's review

All Things Are Possible is a concentrated expression of Shestov's thought: brief but sharp. Taking 'all things are possible' as its proposition, it questions the pressure that necessity, law and rational self-sufficiency exert on human freedom, and places hope in a dimension of faith beyond reason. Its writing does not seek systematic argument but approaches aphoristic philosophical monologue, urgent in tone and repeatedly questioning, oppressive and liberating at once. Its value lies in offering an extreme perspective against rationalist determinism, suited to reading alongside Dostoevsky, Nietzsche and related lines of thought, to understand the problematic of Russian religious philosophy from the late nineteenth to early twentieth century. Do not expect a rigorous chain of argument; grasp instead its direction of questioning: when necessity declares all is settled, can man still declare by faith that 'all things are possible'? It still stings contemporary readers, especially in the face of fatalistic and deterministic discourse.

Who it's for

A good fit for

  • Philosophical readers interested in the sources of existentialism and religious philosophy
  • Scholars and students of Russian intellectual history, and of Shestov's relation to Nietzsche
  • Readers who like aphoristic, anti-systematic writing and are willing to wrestle repeatedly with a text
  • Thinkers who want to understand the critique of rational determinism and the question of freedom of faith

Not a good fit for

  • Beginners expecting systematic philosophical argument and clear conceptual definitions
  • Readers who prefer a coolly analytical style and are impatient with repeated questioning
  • Readers seeking only consoling, inspirational content and unconcerned with philosophical questions

Reading tips

  1. Read the introduction or related background first, to understand Shestov and the problematic of Russian religious philosophy.
  2. Read one short section at a time, pausing to ask what 'necessity' the author is opposing in specific terms.
  3. Read alongside relevant texts by Nietzsche or Dostoevsky, comparing anti-rational positions.
  4. After reading, revisit the title and test whether 'all things are possible' is a proposition or a cry in the book.

About the publisher

Project Gutenberg United States · Founded in 1971

Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.

Contents

  1. 1
  2. 2
  3. 3
  4. 4
  5. 5
  6. 6
  7. 7
  8. 8
  9. 9
  10. 10
  11. 11
  12. 12
  13. 13
  14. 14
  15. 15
  16. 16
  17. 17
  18. 18
  19. 19
  20. 20
  21. 21
  22. 22
  23. 23
  24. 24
  25. 25
  26. 26
  27. 27

FAQ

Is this a systematic philosophical treatise?
No. It is closer to aphoristic philosophical monologue, lacking step-by-step systematic argument, urgent and repetitive in tone. Readers expecting clear definitions and rigorous reasoning by textbook standards may be disappointed; its power lies in its direction of questioning and its tone, and it should be read with questions in mind.
What does 'all things are possible' mean?
In Shestov it is mainly not an optimistic slogan but a revolt against necessity, law and rational determinism: when reason declares all is locked by causality, can man declare another possibility by faith? To understand this, place it within his critique of rationalism.
Can I read it without a philosophical background?
Yes, but with aids. The book responds extensively to the rationalist tradition, and without background one may mistake irony for argument. It is advisable first to learn the basic issues of nineteenth-century Russian religious philosophy, or to read with a reliable introduction and notes, then return to the original to feel its tone and edge.

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About the author

Lev Shestov (Shestov, Lev, 1866-1938) was a Russian-speaking thinker and literary critic active from the late nineteenth to the early twentieth century. Public information about the details of his life is limited, yet the works that survive are enough to convey his distinctive intellectual temperament. Two of his works are held in this collection: Anton Tchekhov, and Other Essays and All Things are Possible. The former discusses Chekhov and other writers in essay form, touching on literature and the human condition; the latter, as its title suggests, concerns possibility and faith. Shestov's writing does not aim at systematic philosophical argument but unfolds largely through aphorism, fragment, and literary criticism. His tone is sharp and often paradoxical, questioning rationalism and the idea of necessity, and insisting on what in individual existence cannot be dissolved by universal laws. This style brings his writing close to the literary essay while carrying a religious-philosophical charge, leaving a distinctive mark on twentieth-century intellectual history and literary criticism.

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