Afternoon
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in Verhaeren and Symbolist poetry
- Literature students who need samples of poetry in English translation
- Poetry lovers who enjoy close reading and repeated recitation of short poems
- Researchers in comparative literature or French-English poetry translation
Not a good fit for
- Readers expecting a novel or a full narrative plot
- Readers who want light entertainment with no background preparation
- Beginning readers who need detailed annotations and an introduction
Reading tips
- Learn about Verhaeren's life and the Symbolist background before approaching the text.
- Read each poem aloud once, then silently, noting rhythm and recurring images.
- Compare with the French original or a reliable translation to see differences in word choice.
- After reading, write two or three sentences on your response, noting recurring images and moods.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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About the author
Emile Verhaeren (1855-1916) was a Belgian poet who wrote in French; the library holds thirteen of his works. His poetry often sets modern urban life against the natural countryside: Les Villes tentaculaires, précédées des Campagnes hallucinées contrasts city and field in the age of industrialization, while the verse sequences Les Heures du Soir, The Sunlit Hours and The Evening Hours centre on time, love and everyday feeling, their tone shifting from early gravity toward clarity. His language is rhythmical and dense with imagery, and his repeated cadences give the verse a musical quality that gives him a distinctive place within Symbolism and some influence on later European poetry. Public information on the details of his life is limited; this note therefore draws only on the works held here to describe his themes and style.