The Scene of Hatred
Tags
Summary
Editor's review
Who it's for
A good fit for
- Scholars and students of Portuguese modernist literature and drama
- Readers interested in avant-garde texts from the Iberian Peninsula
- Portuguese-literature enthusiasts who want direct access to public-domain primary texts
- Comparative-literature readers interested in experiments with the short play form
Not a good fit for
- General readers seeking a complete plot and strong storytelling in drama
- Beginners unfamiliar with Portuguese and without a translation
- Readers expecting a long essay or systematic literary history
Reading tips
- Learn about early-twentieth-century Portuguese modernism and the magazine Orpheu before starting.
- Read it as drama, attending to dialogue rhythm and conflict structure rather than looking for narrative threads.
- Read alongside contemporaneous European Expressionist short plays to compare theme and form.
- It is short; read it in one sitting and take brief notes on points of linguistic experiment.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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- 2
FAQ
Is this book a novel or a short play?
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Why recommend it to readers studying modernism?
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About the author
José de Almada Negreiros (1893–1970) was a Portuguese painter, poet and writer, and a central figure of the Portuguese modernist movement. Born in São Tomé and Príncipe, he later became active in Lisbon's literary and artistic circles, co-founding the magazine Orpheus with Fernando Pessoa and Mário de Sá-Carneiro, thereby promoting Portuguese modernist literature and art. His work spans painting, poetry, fiction and manifestos, with representative titles including the Anti-Dantas Manifesto, A Scena do Odio, K4 O Quadrado Azul and A Engomadeira. His writings often draw on Lisbon's urban life, displaying bold linguistic experimentation, irony and avant-garde sensibility. The library holds eight of his works, covering fiction, manifestos and texts related to art exhibitions, which reflect his cross-disciplinary practice. Public information on the details of his life and education is limited.