4321 (Volume 1)
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers preparing to read all of 4 3 2 1 who want to start from the beginning
- Literary readers who enjoy slow-burning coming-of-age novels and dense depictions of daily life
- Book lovers interested in parallel lives and the themes of chance and fate
- Deep readers willing to be patient with buildup and enjoy the construction of a long novel's structure
Not a good fit for
- Readers expecting strong conflict and fast pacing from the very start
- Readers unaccustomed to multi-strand narratives who easily confuse character threads
- Readers who want only a single volume and do not plan to continue with the second
Reading tips
- Before starting, learn the basic setup of the four parallel lines and read with an awareness of comparison.
- After each stage or section of a line, briefly note that Ferguson's key circumstances.
- Don't rush to decide which line is "more real"; first feel the differences and echoes.
- Leave some time after finishing before reading the second volume, letting the character threads settle.
About the publisher
Jiuzhou Press is a comprehensive publisher with humanities, social sciences, and classic works as important publishing directions, maintaining a sustained focus on philosophy, history, literature, and social culture. Its catalogue includes works by modern literary masters such as Xiao Hong and Lu Xun, as well as intellectual and art history works by Xu Fuguan, including A History of Chinese Theories of Human Nature: Pre-Qin Volume, A History of Han Thought, and The Spirit of Chinese Art: A Study of Shitao. It also translates and introduces overseas academic works such as Peter H. Wilson's The Thirty Years War: Europe's Tragedy and Peter Suber's The Case of the Speluncean Explorers, and covers cross-cultural exchange themes such as From Dunhuang to Samarkand. Its publishing character lies in balancing the organization of original texts with academic translation, forming relatively stable author and title resources in categories including philosophy, military affairs, theory, and social culture. More complete information about the press's publishing history and plans is limited in publicly available sources; this summary is based only on the titles in the catalogue.
Contents
- 版权信息
- 1.0
- 1.1
- 1.2
- 1.3
- 1.4
- 2.1
- 2.2
- 2.3
- 2.4
- 3.1
- 3.2
- 3.3
- 3.4
- 4.1
- 4.2
FAQ
Will the four lines in the first volume make reading confusing?
Why does the first volume feel relatively slow?
Can I read only the first volume and skip the second?
Comments
Find this book
This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
Paul Auster (1947–2024) was an American novelist, poet, translator, screenwriter and film director, born in Newark, New Jersey, and a graduate of Columbia University. He is best known for The New York Trilogy, and his other major works include The Invention of Solitude, The Book of Illusions, 4321 and Winter Journal; his books have been translated into more than forty languages. His writing often blends detective fiction with metafictional devices, moving among themes of mistaken identity, chance and necessity, memory and solitude, with nested narratives and a spare, reflective prose that resists easy classification. Our catalogue holds twelve of his works, spanning foreign literature, mystery and science fiction. He died in Brooklyn on April 30, 2024, from complications of lung cancer.
Li Pengcheng is an author about whom little public information is available; what can be confirmed comes mainly from six books he has translated or contributed to. Judging from the works in the database, his work centers on two areas: foreign literature and world history. In literature he has been involved in Chinese translations of English-language novels such as Of Mice and Men and 4321, while in history his translations include works on Britain, slavery, and the American Revolution, as well as a book on Poland. These are mostly long narrative texts that combine literary qualities with historical depth, requiring the translator to grasp character, period, and institutional context beyond mere language transfer. Because no reliable records of his birth and death dates, nationality, or education are available, his overall style cannot be fully assessed; based on existing translations, one can only say that his choices tend toward classics and serious nonfiction, with translations that seek to convey the structure of the originals faithfully.