The Princess

Jarro, 1849-1915Project Gutenberg · United StatesDec 2019

Rating 3.0

Word count: 530K words
Chapters: 53

Summary

Project Gutenberg was the first provider of free electronic books, or eBooks. Michael Hart, founder of Project Gutenberg, invented eBooks in 1971 and his memory continues to inspire the creation of eBooks and related technologies today.La Principessa by JarroAuthor: Jarro, 1849-1915,Language: Italian, Class: PQ: Language and Literatures: Romance literatures: French, Italian, Spanish, Portuguese, Release Date: Oct 1, 2006

Editor's review

La Principessa is a work by the Italian author Jaro (1849–1915), released as a public-domain e-book by Project Gutenberg in Italian. Judging from the title, the work revolves around the character of a “princess” and is part of late nineteenth-century Italian narrative literature. Jaro’s writing period coincides with the social and cultural transformation after Italian unification, and readers can note how character identity, social class, and emotional relationships are narrated, which is useful for understanding the landscape of popular Italian literature at the time. As a free e-book, it is convenient for researchers to cite, for language learners to practice reading, and for readers interested in Italian public-domain literature to access freely. Note that the material provides only bibliographic information and includes no plot summary or commentary, so reading should be based on the text itself, without presupposing themes. It is advisable to skim first to grasp the structure, then select passages for close reading, and use literary history materials to understand the era; for language learning, excerpt character dialogue for grammar and vocabulary study.

Who it's for

A good fit for

Learners with Italian reading ability who want to broaden their reading of nineteenth-century literature
Literary researchers interested in Italian popular fiction and character narrative
Readers who like free public-domain e-books and enjoy exploring texts on their own
Language teachers who need original Italian materials for passage-based teaching

Not a good fit for

Ordinary readers with zero Italian who expect a Chinese translation
Beginners who need detailed introductions and annotations to read
Readers who only read contemporary bestsellers and lack patience for nineteenth-century texts

Reading tips

Read the table of contents and opening first to determine the narrative perspective and character relationships, then decide which chapters to close-read.
Keep a notebook to record characters’ identities and changes in forms of address, which helps clarify class and relationship clues.
Read alongside background materials on literature and culture after Italian unification to avoid taking the text out of its historical context.
Language learners can select dialogue passages for sentence-by-sentence translation practice and then correct them against the context.

About the publisher

Project Gutenberg United States · Founded in 1971

Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.

FAQ

Is there a Chinese translation of La Principessa?

The material only shows that this book is an Italian public-domain e-book released by Project Gutenberg and does not provide information about a Chinese translation. Readers who need Chinese should look for a formally published translation themselves or read the original with tools.

Is there much biographical information about the author Jaro?

The material gives only Jaro’s birth and death years as 1849 to 1915 and does not provide a detailed biography. To understand his creative background, consult authoritative sources such as Italian literary dictionaries or library catalogues, and do not infer the author’s experiences from this book’s description.

Is this book suitable for classroom use?

It can be used as selected reading material for Italian literature, especially for close reading and character analysis exercises. However, because it lacks modern annotations, teachers need to prepare vocabulary lists and background notes themselves and consider whether the text’s difficulty matches the students’ level.

Why does the public-domain e-book have no detailed introduction?

Project Gutenberg’s main goal is to provide public-domain e-book texts, and bibliographic pages usually contain only basic information such as author, language, category, and release date; they do not necessarily include a synopsis or commentary. Readers need to form judgments based on the main text.

This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.

About the author

Jarro, 1849-1915 Author · Italian · 1849–1915

Jarro (1849–1915) was an Italian writer and journalist whose real name was Giulio Piccini, active in the literary world of the late nineteenth century. The pen name "Jarro" was current in the newspapers and literary circles of the period, and both his pen name and real name appear in the records. Two of his works are held in this collection, Il processo Bartelloni and La Principessa; they draw largely on social reality and human fate, with plain narration that emphasizes plot development and character portrayal, showing the realistic tendency of nineteenth-century Italian popular literature. Because public information is limited, details of his life, the full range of his writing and his specific influence are difficult to describe in detail and require further verification. On the available evidence, he belongs to the type of man of letters who also worked as a journalist, moving between the press and fiction, and his works offer a reference for understanding late nineteenth-century Italian society and popular reading tastes.