Nana

Émile ZolaChina Friendship Publishing Company · ChinaNov 2015

Rating 4.1
Word count
291K words
Chapters
17
ISBN
9787505728912

Tags

World Classics NaturalismLove EntanglementsHuman NaturePower OppressionFemale Perspective

Summary

Nana, the heroine of the novel, is an abandoned illegitimate child who once roamed the streets and sank into prostitution. Later, her performance in The Blonde Venus makes her a star of the stage, and she becomes the plaything pursued by princes and nobles of Parisian high society. Cynical and world-weary, she sells her charms, moves among her pursuers, and drains them of their money to avenge the injustice of society, yet in the end she cannot escape her tragic fate.

Editor's review

Nana is a masterpiece in the Les Rougon-Macquart series by Émile Zola, the great master of French naturalist literature, and one of the most controversial and influential works of his career. This book is not a simple moralizing novel but a pathological report in which Zola, with the cool detachment of a scientific experiment, dissects the corrupt nature of Parisian high society during the Second Empire. The protagonist, Nana, rises from a frivolous girl performing in a low-class theater to become the most dazzling star of Parisian society through her shocking beauty and raw vitality, while countless aristocrats, bankers and officers fall for her and ruin themselves. Through Nana's rise and fall, Zola uses her like a prism to refract the whole era's glittering edifice built on wealth, desire and hypocrisy, and the irreversible decay and collapse within it.

As an editor, I believe the value of this book goes far beyond its surface erotic descriptions. With astonishing detail and a majestic narrative structure, Zola constructs a complete social ecosystem. His Nana is both the embodiment of desire and a victim consumed by it; she is both a poison that corrupts others and a product of that diseased society. Reading Nana is not only reading the tragedy of a woman but also reading the elegy of an era. Zola's naturalist technique allows readers to pierce the curtain of history and look directly at the most naked and complex parts of human nature and social structure. The work's place in literary history is unshakable: it challenged the moral底线 of its time and expanded the territory of what the novel could express, and its profound social critique and artistic power still resonate strongly with readers today.

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Reading tips

  1. It is advisable to first gain a brief understanding of the history of the French Second Empire (the Napoleonic III period) to better understand the social atmosphere depicted in the book.
  2. While reading, pay attention to how Zola creates an 'experimental report'-like sense of reality and fatalism through environmental description and accumulation of detail.
  3. Viewing Nana as a symbol of an era and a concentrated manifestation of social pathology, rather than merely an individual, may yield a deeper reading experience.

About the publisher

China Friendship Publishing Company China · Founded in 1983

China Friendship Publishing Company is a comprehensive publisher known for its literary titles, covering classical Chinese literature, foreign literature, folk literature and cultural appreciation. According to the books in the database, its classical list includes celebrated dramas and novels such as The Peony Pavilion, The Romance of the Western Chamber and Strange Tales from a Chinese Studio, as well as note-style classics like Hong Mai's Rongzhai Suibi. In foreign literature it offers translations of Dostoevsky's Crime and Punishment, Kawabata Yasunari's Snow Country and Anne Frank's The Diary of a Young Girl, involving translators such as Zeng Siyi. It also publishes The Complete Literary Works of Lu Xun and titles associated with the "Xue'er Shuguan" editorial group, balancing the collation and popularization of classic texts. Public information on its publishing features and plans is limited; the above is summarized only from the books in the database.

Contents

  1. 版权信息
  2. 出版宣言 与经典同行
  3. 译者序
  4. 第一章
  5. 第二章
  6. 第三章
  7. 第四章
  8. 第五章
  9. 第六章
  10. 第七章
  11. 第八章
  12. 第九章
  13. 第十章
  14. 第十一章
  15. 第十二章
  16. 第十三章
  17. 第十四章

FAQ

What is the main content of Nana? The novel tells the story of Nana, a girl of low birth, who uses her beauty to move through Parisian high society and becomes a famous courtesan; her rise and fall mirror the luxury, hypocrisy and moral decay of the French aristocracy and bourgeoisie during the Second Empire.
How is Zola's naturalism reflected in Nana? It is mainly reflected in two aspects: first, the meticulous, almost scientific observation of environments, characters' physiological details and behavior, emphasizing the determining influence of heredity and environment on people; second, the dissection of Parisian society as an organism, depicting the collective downfall of characters from all classes driven by desire, which has a strong flavor of social research.
What is the literary status and reputation of this book? Nana is one of Zola's representative works and a milestone of naturalist literature. Its bold and explicit descriptions caused great controversy when published, but time has proven its enduring value. It is recognized as a profound social epic and, with its powerful realism and merciless exposure of the era's pathologies, occupies an important place in literary history and has had a profound influence on later literature.

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About the author

Émile Zola Author · French · 1840–1902

Émile Zola (1840–1902) was a French novelist, journalist, and playwright, and a leading figure of literary naturalism. He advocated observing society and human life with a scientific attitude, and his narratives confront the hardships of lower-class life and the complexities of human nature. His major achievement is the twenty-volume Les Rougon-Macquart cycle, which includes such novels as Germinal, Nana, and L'Assommoir, as well as works such as Thérèse Raquin. Drawing his subjects from social reality, he wrote with meticulous detail and force, and his influence on later realist and naturalist writing has been profound. In 1898, he went into exile after publishing J'Accuse in connection with the Dreyfus Affair, and in 1902 he died in Paris of gas poisoning.