I Added My Female Boss to My Beauty Group and Got Exposed

Ye LiangQidian2022

No rating yet
Word count
1.9M words

Tags

Male-Oriented Fiction Urban Fiction Social ObservationSystem FlowLife AchievementPsychological InsightPlate AlbumWeb NovelPopular NarrativeImperial HaremHidden Identity

Summary

I Added My Female Boss to My Beauty Group and Got Exposed

Editor's review

A typical max-level boss pretending to be a slacker daily-life story: the system is only background; the real draw is the identity-collapse comedy triggered by "mistakenly adding the female boss to the beauty group" and the sweet interactions as ten women take turns appearing. The female boss serves as the reader's stand-in; her shocked questioning peels away the protagonist's cards layer by layer, creating strong contrast and a light pace. Its weaknesses are an overly omnipotent cheat and a large harem that flattens the emotional lines; readers seeking a rigorous worldview or single-line pure romance may find it exaggerated.

Who it's for

A good fit for

Not a good fit for

Reading tips

  1. Focus on the female boss's perspective as she unravels his identity; it is more fun paired with the earlier group-chat comedy
  2. The beauty group members have varied backgrounds; follow each woman's appearance and compare their stories to keep the clues clear
  3. The system achievements are only background; don't dwell on setting details and simply enjoy it as a light daily-life comedy

About the publisher

Qidian

Qidian is a platform whose catalogue brings together online literature, with about 45,000 titles in the library spanning categories such as male-oriented fiction, Eastern fantasy, xianxia and wuxia, science fiction, selected fiction and quality web novels. Representative titles include Reincarnation Paradise, War Soldier Leon, The Fairy Is Fierce (also known as Tai Mang), The Expert Is Right Beside Me, Dragon Herder, You Should Cross the Mountains Like a Hero, The Adventures of a Clever Girl and Summoning Heroes of All Ages in Another World, with themes extending from fantasy and xianxia to science fiction and adventure. Representative authors available in the library include Na Yi Zhi Wen Zi, Chi Gua Zi Qun Zhong, Guan Guan Gong Zi, Chenxing LL, Luan, Chen Mo De Ai, Piao Yi Dao Zhang and Dong Tian Bu Leng. Their works mostly appear as serialized web fiction aimed at readers who prefer long genre fiction. Public information on its founding background and scale is limited, so no inferences are made here; the description is based solely on the library's titles and categories.

FAQ

Does this book have a single female lead or multiple? Multiple female leads, harem-oriented; the protagonist's beauty group has ten women of various backgrounds, and the female boss is one of the main lines.
Is it a system-based monster-fighting leveling story? Leveling is not the focus; the achievement system is only background, and the emphasis is on daily romance and identity-reveal comedy.
Is the novel completed? How long is it? It is completed, about 1.86 million Chinese characters and over 500 chapters.

This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.

About the author

Ye Liang Author

Ye Liang is an author active on Chinese online literature platforms; details such as nationality and dates of birth and death are not publicly available, and public information about the author is limited. Four of the author's works are included in the library: Pulling My Female Boss into a Beauty Group and Getting Exposed, I Became the Lord of Calamities, Becoming the Reiwa Tea Sage in Tokyo, and Rebuilding Liaozhai. These span urban fiction, male-oriented web fiction, science fiction, and Eastern fantasy. The works suggest that Ye Liang moves between different fictional worlds with ease: some are set in contemporary urban life and driven by character relationships and light comic conflict, while others involve grand premises such as calamities and mutations, or fantasy narratives drawing on traditional culture and foreign settings. The writing often combines genre elements with a relaxed, humorous everyday tone and is aimed at online fiction readers, showing versatility across several categories.