In the Field: The Impressions of an Officer of Light Cavalry
Dupont, Marcel, 1879-1964Project Gutenberg · United StatesDec 2019
Rating 3.4- Word count
- 304K words
- Chapters
- 31
Tags
English Originals Documentary LiteratureMilitary War TestimonyWorld War I MemoirMilitary CommandersHeroismCavalry OfficerBattlefield ReportDocumentary NarrativeTurbulent EraSocial ObservationFrench MilitarySummary
Project Gutenberg was the first provider of free electronic books, or eBooks. Michael Hart, founder of Project Gutenberg, invented eBooks in 1971 and his memory continues to inspire the creation of eBooks and related technologies today.In the Field (1914-1915): The Impressions of an Officer of Light Cavalry by DupontAuthor: Dupont, Marcel, 1879-1964,Language: English, Class: D501: History: General and Eastern Hemisphere: World War I (1914-1918), Release Date: Apr 14, 2006Editor's review
This book is a record of wartime impressions written in 1914–1915 by the French light cavalry officer Marcel Dupont, and is a first-hand account by a participant in the early cavalry operations of the First World War. Its value lies not in grand strategic analysis but in the granular texture of marches, reconnaissance, skirmishes, and camp life as seen by an officer: how cavalry adapted its tactics in the age of machine guns and trenches, the shifting moods of soldiers at the front, and the relationship between officers and men all come through in the writing. Dupont's narration has an observer's restraint and literary quality; it does not strain for effect, yet the confusion of war and its occasional absurdity emerge naturally. It is suitable as supplementary reading for the study of First World War military history, cavalry history, and war memoirs, and for general readers interested in the life of European soldiers in the early twentieth century. There is no need to look for a continuous plot; read it as a set of battlefield sketches to appreciate its texture. If you follow the timeline of the early campaigns of the First World War, the author's positions and operational context will become clearer.Who it's for
A good fit for
- General readers interested in the military history of the First World War
- Military enthusiasts studying the changing role of cavalry in modern warfare
- Readers who enjoy war memoirs and first-person war narratives
- History students needing primary-source perspectives from junior officers on the Western Front
Not a good fit for
- Readers expecting systematic campaign analysis and strategic argument
- Readers of fiction who prefer strong plots and tightly paced narrative
- Readers unfamiliar with military terminology and European place names who are unwilling to look them up
Reading tips
- Read the preface or publisher's note first for the writing background, then proceed chapter by chapter; there is no need to finish in one sitting.
- Mark unit numbers, place names, and dates as they appear, and afterward trace the author's movements against the timeline of the early campaigns.
- Focus on everyday details and the officer's perspective rather than seeking complete conclusions about the history of the war.
- Read alongside other First World War soldiers' memoirs to appreciate how wartime experience differed by branch of service and rank.
About the publisher
Project Gutenberg United States · Founded in 1971Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
- 1
- 2
- 3
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- 8
- 9
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- 11
- 12
- 13
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FAQ
Is this book a complete history of the First World War?
No. It is a personal record of wartime impressions by a light cavalry officer in 1914–1915, emphasizing first-hand observations and feelings rather than systematically covering campaign progress, troop deployments, and strategic decisions. For an overall framework, use a general history alongside it.How difficult is the original English?
The text is early twentieth-century English writing, with rather long sentences and military terminology and French place names, but the narration is mainly observation and scene, so the specialist threshold is not high. Readers with university-level English can make progress with a dictionary; try one chapter first to gauge the pace.Why is a cavalry officer's memoir worth reading?
In the early campaigns of the First World War, cavalry still performed reconnaissance, screening, and pursuit before being forced to adapt in the face of machine guns and trenches. A participant's record shows the concrete situations, judgments, and confusions of that transition, making it vivid material for understanding the evolution of a branch of service and everyday life at the front.This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
Dupont, Marcel, 1879-1964 Author · French · 1879–1964Dupont, Marcel (1879–1964) was a French military officer and writer. Drawing on his firsthand experiences in World War I, he wrote several war memoirs, the best known of which is In the Field: The Impressions of an Officer of Light Cavalry. Publicly available information about the details of his life is limited; the existing material centers mainly on his identity as a soldier and his memoir writing. His works generally adopt the perspective of a front-line officer, recording observations and impressions from the battlefield with a strong firsthand quality. They offer primary material for understanding the experience of light cavalry officers during World War I. His writing follows the thread of personal experience, emphasizing a sense of scene and authentic feeling, and is in some measure representative of the war memoir genre.