Ultimate Team-Up Vol. 3
Brian Michael Bendis / Phil Hester / Ande ParksMarvel Comics2001
Rating 1.7- Series
- Ultimate Marvel Team-Up
Tags
Featured Fiction Film and TV Tie-Ins Standalone VolumeUrban ArchitectureCosmosTV NewsHelicoptersHulkSuperheroSlow ReadingSummary
This volume is issue #3 of the Ultimate Team-Up series, following directly from the "Spider-Man and the Hulk" storyline in issue #2 and forming the second half of that two-part arc. Peter Parker, caught in midair by the green giant, barely escapes, dodging blow after blow by swinging from streetlamps, flagpoles, and city buildings while trying to lure the destruction toward an empty waterfront warehouse. The hungry giant is drawn to fish and gradually calms, shrinking back into a frail, frightened man—Bruce Banner. Banner babbles about nightmares and some conspiracy in which "everything is connected," but before he can finish, Thaddeus Ross and his men surround the two. Tension and gunfire drive Banner back into his giant form; helicopters fire on the warehouse, but the giant leaps clear of the encirclement. Ross leads the pursuit, while Peter clings to a floating plank and survives the river. Back home, the TV news is still replaying his battle with the giant. Written by Brian Michael Bendis, penciled by Phil Hester, and inked by Ande Parks, this is one of the Hulk's earliest appearances in the Ultimate Universe and plants the seeds of the long entanglement between Ross and Banner.Editor's review
《终极合作》是 Bendis 在终极宇宙里做的一次“组队实验”：每期让初出茅庐的蜘蛛侠碰上一位尚未正式登场的重量级角色，并顺带完成对方的终极版首秀。第3期正是这一思路的样本——绿巨人的终极版首度亮相，且与第2期连成一个完整的两期故事。Bendis 擅长的是台词与人物，这里他让蜘蛛侠的俏皮话只出现在心里独白中，面对几乎不说话、只剩蛮力的巨人，少年英雄第一次体会到“嘴皮子不管用”的恐惧；而班纳“一切都连在一起”的呓语，则把一场单纯的打斗牵向更大的阴谋。Phil Hester 与 Ande Parks 的画风干净利落，大跨页的追逐与破坏感很适合这期以动作为主的节奏。作为单期，它信息量不算厚，但对想看终极宇宙早期版图如何一块块铺开的读者来说，是本值得补上的一格拼图。Who it's for
A good fit for
- 想系统梳理终极宇宙早期设定与角色首秀的漫威读者
- 喜欢蜘蛛侠与绿巨人互动、偏动作场面的漫画迷
- 正在收集《终极合作》单期、凑齐2—3期连载的收藏者
- 能接受单期短篇、愿意按系列顺序阅读的欧美漫画入门者
Not a good fit for
- 希望一次读到完整长线剧情、追求厚实合集的读者
- 对2000年代初画风与单期节奏不耐受的读者
- 只想看现代画风或MCU设定的读者
Reading tips
- 先读第2期再读本册，两期构成“蜘蛛侠与绿巨人”完整故事。
- 注意班纳关于“一切都连在一起”的台词，这是后续终极宇宙线索的早期伏笔。
- 若想一次读完，可直接选收录第1—5期的《终极合作》第一卷合集。
- 阅读时留意罗斯与班纳的关系刻画，可与主线《终极战队》中的相关设定对照。
About the publisher
Marvel ComicsMarvel Comics is a publisher centred on comics that also extends into media tie-in novels and graphic novels. Its catalogue in this database contains 542 titles, with common categories covering children's books, comics and cartoons, premium fiction, social fiction, media tie-ins and art, reflecting an output aimed at both younger readers and adult comics fans. Representative titles include Journey into Mystery No. 642, Avengers (2013) No. 12, Ultimate Spider-Man Vol. 104, Fantastic Four No. 645, Iron Man No. 17 and Captain America Vol. 5 No. 35, showing a strength in superhero series and long-running serials. Representative authors include Kieron Gillen, Matt Fraction, Al Ewing, Brian Michael Bendis and Mark Bagley, reflecting its reliance on writer and artist teams for serialised creation. Public information on its founding background and scale is limited, so no inferences are made here.
FAQ
本册是完整故事吗？
不是。第3期是“蜘蛛侠与绿巨人”两期连载的后半部分，与第2期合起来才是一个完整故事，单独阅读会略感情节悬空。绿巨人在这期是首次登场吗？
终极宇宙的绿巨人设定在第2—3期这个两期故事中首次登场，本册延续并完成这次亮相，属于早期设定展示而非完整起源故事。能直接跳过第1—2期读这期吗？
情节上能看懂大概，但会缺少第2期铺垫的冲突起因与人物关系，建议按顺序阅读体验更完整。有中文版吗？
目前未核实到本期的正式简体中文单行本出版信息，市面常见的多为英文原版单期或英文合集，收藏时请注意区分单期与合集。This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
Brian Michael Bendis AuthorBrian Michael Bendis is an American comic book writer; public information about him is limited, and no details of his life or education are recorded in this database. Judging from the thirty-six works collected here, his output centers on superhero comics. Representative titles include issues #61 and #83 of the Ultimate Spider-Man series, Ultimate Spider-Man #107 and #95, as well as Ultimate War, Ultimate Origin, Ultimate Team-Up, and Ultimate Marvel Team-Up, many of which are tied to the Ultimate universe. These works are often grouped under comics and cartoons, film and television tie-ins, and premium fiction, with some also aimed at children's book readers. His writing is known for dense dialogue and brisk pacing, and he is skilled at advancing long-form plots and team-based narratives within classic superhero frameworks, leaving a visible mark on Marvel's publishing landscape in the early twenty-first century.
Phil Hester AuthorPhil Hester is a creator active in comics and graphic novels; public information about him is limited, and details of his biography, nationality, and awards are not recorded in our database. The collection currently includes eight of his works, spanning categories such as children's books, comics and cartoons, art, film and television, drawing, and fine fiction, which shows his range across subjects. Representative works include Adventure Comics starring Superman No. 42, The Flash: Season Zero No. 8 and No. 9, Ultimate Team-Up No. 3, Batman Beyond 2.0 No. 31: Phantom Mark Part 7, and several volumes of the Nightwing series. These works suggest that he often takes part in adapting and serializing superhero material, advancing character relationships and action scenes within established worlds while balancing pacing and visual presentation for younger readers.
Ande Parks AuthorAnde Parks is a comics writer and text author about whom limited public information is available. The Chinese catalog currently includes two of his works: Ultimate Cooperation Vol. 3 and Nightwing Vol. 2 #114. These titles suggest that his writing spans superhero comics and graphic novels, often involving teamwork, character relationships, and action-adventure themes, with tight pacing and a focus on interaction and conflict between characters. Nightwing belongs to the classic DC Comics character series, while Ultimate Cooperation, judging by its title and categories, appears to lean toward a cooperative adventure story for younger readers. The catalog classifies his works under premium fiction, film and television tie-ins, children's books, and comics and cartoons, indicating that his writing reaches both adult and young adult readers. Since his birth and death dates, nationality, and specific career details are unknown, this introduction is based only on the catalog's work information and common categories, without speculation about his personal life.