Master of the Ages
Huohong MeiguiQidian2016
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- 748.7K words
Tags
Male-Oriented Fiction Eastern Fantasy Aerial WarfareThe VoidGreat FraudComebackConspiracyFast-Paced FictionWeb NovelSummary
A typical Qidian Eastern fantasy power-fantasy: the good-for-nothing servant gets a fortuitous encounter, endures bullying in silence, quietly explodes in strength, and bides his time for revenge. The pacing is blunt and immersive; the early night scene at the mass grave and the servant's humiliation are vividly grounded. The flaws are obvious too—stock setups, and the later sweep of sects, kingdoms and divine wars is hastily wrapped up; the author admits to a rushed ending, so readers who want a fully closed conclusion should be prepared.Editor's review
A typical Qidian Eastern fantasy power-fantasy: the good-for-nothing servant gets a fortuitous encounter, endures bullying in silence, quietly explodes in strength, and bides his time for revenge. The pacing is blunt and immersive; the early night scene at the mass grave and the servant's humiliation are vividly grounded. The flaws are obvious too—stock setups, and the later sweep of sects, kingdoms and divine wars is hastily wrapped up; the author admits to a rushed ending, so readers who want a fully closed conclusion should be prepared.Who it's for
A good fit for
- Fantasy readers who enjoy grassroots underdog and household-servant stories
- Readers who prefer fast-paced face-slapping and level-up thrills
- Those who can accept a rushed ending and treat the early parts as diversion
Not a good fit for
- Readers who demand a complete, closed ending
- Readers who prefer nuanced characterization and polished prose
Reading tips
- Treat the early servant life and the mass-grave encounter as the core draw; read slowly to feel the protagonist's patient motive
- Watch each stir of the purple-gold hand bone—it is a clue to the later divine fraud
- Lower expectations for the second half; you may choose to stop at the Void Battlefield thread
About the publisher
QidianQidian is a platform whose catalogue brings together online literature, with about 45,000 titles in the library spanning categories such as male-oriented fiction, Eastern fantasy, xianxia and wuxia, science fiction, selected fiction and quality web novels. Representative titles include Reincarnation Paradise, War Soldier Leon, The Fairy Is Fierce (also known as Tai Mang), The Expert Is Right Beside Me, Dragon Herder, You Should Cross the Mountains Like a Hero, The Adventures of a Clever Girl and Summoning Heroes of All Ages in Another World, with themes extending from fantasy and xianxia to science fiction and adventure. Representative authors available in the library include Na Yi Zhi Wen Zi, Chi Gua Zi Qun Zhong, Guan Guan Gong Zi, Chenxing LL, Luan, Chen Mo De Ai, Piao Yi Dao Zhang and Dong Tian Bu Leng. Their works mostly appear as serialized web fiction aimed at readers who prefer long genre fiction. Public information on its founding background and scale is limited, so no inferences are made here; the description is based solely on the library's titles and categories.
FAQ
Is this book finished?
It is finished at about 295 chapters, but the author admits the ending was rushed and left incomplete.Is there a heroine or romance line?
There is almost no romance early on; the main line centers on cultivation, revenge and court warfare.Can I read it directly, or do I need to read the new book?
This book can be read on its own; the new book recommended in the end-of-text ad, "Immortal Dynasty Unending," is unrelated to its plot.This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
Huohong Meigui AuthorHuohong Meigui is a web-fiction author, often identified on related work pages by the English name Huohong Meigui. Public information about this author is limited, and the database currently holds only one work by this author, the representative novel Zhizhang Wangu (Mastering the Ages). The book is commonly classified under male-oriented fiction and Eastern fantasy, which suggests that the author is mainly active in the field of fantasy writing aimed at male readers, with works built on familiar conventions of Eastern fantasy. Because public information about the author's personal background, writing chronology, and creative ideas is lacking, no speculation is made here; this introduction is limited to objective details from the existing bibliographic record. Readers who wish to learn about the author's writing style and narrative features may refer to Zhizhang Wangu itself.