Daredevil Vol. 5 #7
Charles Soule / Matteo Bufani
No rating yet- Series
- Daredevil (2015 Volume 5)
Tags
Featured Fiction Film and TV Tie-Ins SecretsSuperheroComing of AgeComicsNew YorkSummary
This issue is Daredevil Vol. 5 #7 (2015), titled "Elektric Connection Part 2," continuing the bombshell secret revealed at the end of the previous issue. Matt Murdock is now working in New York as a prosecutor while also operating on the streets as Daredevil; a new generation of protege, Blindspot (Sam Chung), is growing under his guidance. This issue centers on Elektra Natchios: the deadliest assassin in Marvel returns to New York, appears in Hell's Kitchen, and tells Matt what she has been searching for—a child never mentioned before. The news forces Matt to reassess the true cost of being "the Man Without Fear" and may even force him to give up his biggest secret. Nightwing, Foggy Nelson, and Night Nurse also appear, further heating up the situation in Hell's Kitchen. This is issue #7 of the series, a single-issue story, an early chapter of the "Back in Black" phase.Editor's review
查尔斯·索尔接手《夜魔侠》后，把马特·默多克从马克·韦德时代的明亮基调拉回到更阴郁、更具刑侦气质的路线：白天是检察官，夜里是义警，身份的撕扯成为整条主线的底色。第7期是他前期最富情感张力的一期——艾丽卡这条线把「刺客」身上的柔软之处摊开在读者面前，也让马特不得不面对自己一直回避的问题：拯救城市与守护身边人，究竟哪一个更优先。马泰奥·布法尼的画风克制而细腻，面部表情与留白处理得极稳，配合马特·米拉的用色，把地狱厨房的湿冷与压抑具象化。对于想从剧集《夜魔侠》回头读原作的读者，这一阶段是理解马特「换边站」设定的一扇好窗；对老读者而言，这是一段容易被低估、却为后续「死亡」与「至高」篇章埋线的关键过渡。Who it's for
A good fit for
- 看过《夜魔侠》影视剧、想回头补漫威原作的读者
- 喜欢艾丽卡这个角色、想了解她背景故事的读者
- 偏好阴郁都市犯罪气质、不追求大场面打斗的超级英雄读者
- 正在按卷期顺序追查尔斯·索尔版《夜魔侠》的收藏者
Not a good fit for
- 想从零开始入坑、需要完整起承转合的读者，单期情节不完整
- 只对动作爽感与团队大战感兴趣的读者
- 排斥英文原文单期、只接受中文合订本的读者
Reading tips
- 建议先读第五卷第1至6期，本期紧接上期结尾的秘密揭示
- 可配合《Back in Black》第二卷合订本《Supersonic》一起读，情节更连贯
- 留意图中彩色分格边框的用法，那是本阶段美术设计的一个标记
- 读完可继续第8期《Blind Man's Bluff》，主线会迅速转入盲点与手合会线
FAQ
这一期是完整故事吗？
不是。本期篇名为《Elektric Connection Part 2》，是两期小故事的第二部分，直接承接第6期的结尾悬念，单独阅读会缺少前因。第7期收录在哪本合订本里？
该期被收录于《Daredevil: Back in Black》第二卷《Supersonic》平装本，与第8、9期及年刊部分内容合订。主创是谁？
编剧为查尔斯·索尔（Charles Soule），画师为马泰奥·布法尼（Matteo Buffagni），上色马特·米拉，封面为比尔·显凯维奇。艾丽卡在本期扮演什么角色？
她是本期的核心人物，重返纽约并揭示自己在寻找一个此前不为人知的孩子，这一秘密成为马特新的道德负担。This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
Charles Soule AuthorCharles Soule is a writer active in American comics. Public information about his nationality and dates of birth and death is limited, yet the library holds as many as 76 of his works, which shows how prolific he is. Judging from his representative works, he has long written scripts for both DC and Marvel, working on team-up superhero titles such as Superman/Wonder Woman as well as street-level series like Daredevil, and he is skilled at building tight narratives and character conflict within established worlds. The library's categories cover comics and cartoons, film and television tie-ins, quality fiction, and social-science and children's books, indicating that his writing serves different readerships, from superhero stories for adults to adaptations suitable for younger readers. Overall, Soule is known for steady serial work and cross-genre adaptation, and he occupies a considerable place in output among contemporary American comics writers.
Matteo Bufani AuthorMatteo Bufani is a comics creator about whom limited public information is available; the library currently holds six of his works. Judging from these titles, his work is concentrated in the field of superhero comics, featuring classic Marvel characters such as Iron Man, Daredevil and Spider-Man. The specific titles include Ultimate Comics Iron Man volumes 1 and 3, Daredevil Vol. 5 No. 6 and Vol. 5 Issue 7, and Amazing Spider-Man Vol. 4 volumes 6 and 7. Within the library these works are classified under children's books, comics and cartoons, art, quality fiction, media tie-ins and film and television, suggesting that his comics appeal both to younger readers and to audiences interested in screen adaptations and popular culture. As his dates of birth and death, nationality and personal background remain unconfirmed, his creative style and artistic characteristics await further material; this introduction offers only an objective overview based on the works recorded in the library.