Sword Net and Dusty Threads
Liang Yusheng(香港)传慧出版有限公司 · Hong Kong SAR, ChinaJan 2023
Rating 3.7- Word count
- 573K words
- Chapters
- 28
Tags
Martial Arts Fiction Portrait GalleryWandering KnightClassic WuxiaVengeance and GratitudeLove EntanglementsPower GamesJianghu FeudSummary
The anti-Qing patriot Wei Chenggang is betrayed by his friend Xu Zhongyue. After severely wounding eight imperial guards, Wei himself dies of his injuries. Xu Zhongyue then appears in the guise of a hypocrite and becomes a renowned hero of the Central Plains. Wei Chenggang's neighbor Jiang Zhiqi, also a fellow traveler of the rebel army, moves with his wife and daughter to Luoyang under assumed names to avoid trouble. Ten years later, his daughter Jiang Xuejun has grown into the greatest beauty of Luoyang. Xu Zhongyue has long been suspicious of him, and now coveting the beauty, he uses threats and inducements to force Jiang into compliance; Jiang pretends to go along, but is finally killed by Xu. Xu Zhongyue tricks Jiang Xuejun into becoming his second wife. Meanwhile, Wei Chenggang's orphan Wei Tianyuan, carefully trained by his grandmaster, the world's greatest martial artist Qi Yanran, has also become a martial-arts expert. He comes to Luoyang to investigate his father's murder and arrives just as Xu Zhongyue is marrying Jiang Xuejun; Wei Tianyuan seizes the bride from the wedding hall and rescues his childhood friend.Editor's review
"Sword Net and Dusty Threads" is one of the more tightly structured of Liang Yusheng's later works. With Wei Chenggang's murder, Xu Zhongyue's hypocritical rise, Jiang Xuejun's forced marriage, and Wei Tianyuan's seizure of the bride from the wedding hall as its main line, it weaves revenge, hypocrisy, and romantic entanglement into an anti-Qing background. The book's highlight is its portrayal of Xu Zhongyue as a "false hero": outwardly respected and virtuous, inwardly ruthless and calculating, contrasting with Wei Tianyuan's forthrightness; Jiang Xuejun's forbearance and Wei Tianyuan's youthful spirit also create considerable tension. Liang Yusheng's customary clear distinction between good and evil and his poetic touches are both present; the fight scenes are not elaborate, with more emphasis on advancing character relationships. It serves well as an introduction to or supplement for understanding Liang Yusheng's later creative style. Readers may note how the hypocrite uses Jianghu reputation to do evil, and the mismatch between the name of "hero" and the reality of heroism.Who it's for
A good fit for
- Readers who love Liang Yusheng's works and want to read his later wuxia
- Traditional wuxia fans interested in hypocritical villains and revenge-driven plots
- Readers who can accept slow-burning buildup and value the advancement of character relationships
- Collectors who study Hong Kong and Taiwan wuxia editions and follow the Chuanhui Publishing Company series
Not a good fit for
- New-school wuxia readers who prefer fast pacing and frequent fight scenes
- Young readers impatient with the narrative pace of last-century traditional wuxia
- Readers who only want standalone books and do not wish to connect companion volumes
Reading tips
- Read this book before its companion "Phantom Sword and Spirit Banner" to clarify how the character lines of Wei Tianyuan and Qi Leming connect.
- Note the contrast between Xu Zhongyue's words and deeds each time he appears to appreciate Liang Yusheng's care in writing a hypocritical villain.
- Readers interested in the poetic chapter titles may jot them down as an aid to understanding Liang Yusheng's style.
- Slow down at the wedding-hall abduction scene; it is the key turning point in the book's character relationships.
About the publisher
(香港)传慧出版有限公司 Hong Kong, China(Hong Kong) Chuanhui Publishing Limited is a publishing house based in Hong Kong, China. Public information about it is limited. Judging from the books in the database, its publishing focus is on wuxia novels, especially electronic editions of works by Liang Yusheng. Titles include such full-length wuxia classics as The Legend of the Condor Heroes-style romances Pingzong Xiaying Lu, Yunhai Yugong Yuan, Baifa Monü Zhuan and Datang Youxia Zhuan, mostly presented in multiple volumes, with both upper and lower volumes and complete editions. Liang Yusheng is its core author, and the category is relatively concentrated, reflecting a systematic arrangement and digital dissemination of classic wuxia texts. Its publishing feature lies in reproducing traditional wuxia novels in e-book form, using Hong Kong ISBNs beginning with 988, so that readers can encounter Liang Yusheng's martial arts world digitally.
Contents
- 上册 第一回 喜结良缘 佳人侠士 变生意外 红烛青霜1
- 第一回 喜结良缘 佳人侠士 变生意外 红烛青霜2
- 第二回 旧侣寻仇 掌伤大侠 新娘比武 血溅华堂
- 第三回 除夕归人 无辜遇难 深宵赴约 清白蒙冤
- 第四回 旧梦成尘 青梅竹马 此心如水 飞絮飘萍
- 第五回 不见创痕 疑真疑幻 难明心迹 非友非仇1
- 第五回 不见创痕 疑真疑幻 难明心迹 非友非仇2
- 第六回 陌路相逢 难分邪正 鸾胶再续 莫问根由
- 中册 第七回 一失足时 死生成谜 再回头处 恩怨如烟1
- 第七回 一失足时 死生成谜 再回头处 恩怨如烟2
- 第八回 梦幻尘缘 三生冤孽 飘零蓬梗 两代情仇1
- 第八回 梦幻尘缘 三生冤孽 飘零蓬梗 两代情仇2
- 第九回 浪子乖行 隐忧潜伏 妖狐现影 铸错难回1
- 第九回 浪子乖行 隐忧潜伏 妖狐现影 铸错难回2
- 第十回 奇变惊心 掌门遇害 幽岩被困 姹女含情1
- 第十回 奇变惊心 掌门遇害 幽岩被困 姹女含情2
- 第十一回 勇救佳人 巧施骗术 追随义母 误坠奸谋1
- 第十一回 勇救佳人 巧施骗术 追随义母 误坠奸谋2
- 第十二回 弹剑京华 龙争虎斗 伤心家国 凤泊鸾飘
- 下册 第十三回 忍陷火坑 拒婚受辱 忽来侠士 惩恶扶危
- 第十四回 孽债难偿 不分皂白 前缘未证 难说恩仇1
- 第十四回 孽债难偿 不分皂白 前缘未证 难说恩仇2
- 第十五回 陷阱自投 甘为宰割 良知未泯 肯作帮凶1
- 第十五回 陷阱自投 甘为宰割 良知未泯 肯作帮凶2
- 第十六回 仗势欺人 膏粱劫美 佯狂玩世 侠士惩凶
- 第十七回 慧剑难挥 但凭幻剑 芳心何托 仍鼓雄心1
- 第十七回 慧剑难挥 但凭幻剑 芳心何托 仍鼓雄心2
- 第十八回 剑网纷张 原如世网 尘丝难断 未了情丝
FAQ
Can I read this directly without having read other Liang Yusheng works?
Yes. The character relationships are basically laid out in the opening; the feud among Wei Tianyuan, Jiang Xuejun, and Xu Zhongyue stands on its own and does not depend on earlier works. However, the book shares character backgrounds with "Phantom Sword and Spirit Banner"; if reading both, it is best to read this one first.What is the relationship between this book and "Phantom Sword and Spirit Banner"?
The two are companion volumes sharing the backgrounds of Wei Chenggang, Wei Tianyuan, Qi Leming, and others. "Sword Net and Dusty Threads" focuses on Wei Tianyuan investigating his father's murder and rescuing Jiang Xuejun; "Phantom Sword and Spirit Banner" turns to Qi Leming's reform from evil and has Qi Shuyu and Wei Tianyuan join forces to defeat the enemy, with the character lines connecting across the two books.How well is the villain Xu Zhongyue written?
Xu Zhongyue is a "false hero" on whom the book spends considerable effort: he appears as a hero of the Central Plains but in fact betrays friends and persecutes the Jiang family. Liang Yusheng focuses on the contrast between his words and deeds and the cover provided by his Jianghu reputation rather than on his martial prowess; readers may note the calculation behind each of his "righteous" acts.Are there many fight scenes in this book?
Not many. The book emphasizes character relationships and plot advancement, and the fights mostly serve the plot, such as Wei Tianyuan seizing the bride from the wedding hall and crossing swords with imperial guards. If you expect continuous dueling, you may find the pace slow.Related on WeRead
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About the author
Liang Yusheng Author · Chinese · 1924–2009Liang Yusheng (1924–2009), originally named Chen Wentong, was a native of Mengshan, Guangxi. After the victory of the War of Resistance, he entered Lingnan University in Guangzhou and later became an editor of the supplement of the Hong Kong newspaper Ta Kung Pao. In 1954, with The Dragon and Tiger Duel in the Capital, he pioneered the new school of Hong Kong wuxia fiction. He wrote thirty-five works before retiring his pen in 1984. His wuxia novels often draw on history, weaving real dynastic changes with martial-world feuds; his characters combine patriotic concern with romantic attachment, and his elegant prose is interspersed with poetry, giving his work a distinctive scholarly flavor. Representative works include The White-Haired Demoness, Seven Swords from Mount Heaven, The Romance of Pingzong Xiaying, and The Romance of the Cloud Sea and Jade Bow. He is often mentioned alongside Jin Yong as a leading figure of his time. Besides wuxia fiction, he also wrote modern poetry; the library holds 143 of his works.